Donald S. Gochberg (EDT)/ Surjit Singh Dulai (EDT)/ Anibal Gonzalez (EDT)/ Edward D. Graham (EDT)/ Kenneth W. Harrow (EDT)/ Priscilla Melendez (EDT)
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Kenneth W. Harrow offers a new critical approach to African cinema -- one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and th
Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, Kenneth W. Harrow uses trash as the unlikely metaphor to show how these films have de
This volume attempts to join the disparate worlds of Egyptian, Maghrebian, South African, Francophone, and Anglophone African cinema—that is, five “formations” of African cinema. These five areas are
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Argu
Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Argu
this third volume in the WORLD LITERATURE AND THOUGHT series contains an astonishing variety of primary reading selections. The anthology features literary, historical, and philosophical works that r
