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Mr. Milton Smith, Executive Vice President in Charge of Production, was in conference. A half dozen men lounged comfortably in deep, soft chairs and divans about his large, well-appointed office in the B.O. studio. Mr. Smith had a chair behind a big desk, but he seldom occupied it. He was an imaginative, dramatic, dynamic person. He required freedom and space in which to express himself. His large chair was too small; so he paced about the office more often than he occupied his chair, and his hands interpreted his thoughts quite as fluently as did his tongue. "It's bound to be a knock-out," he assured his listeners; "no synthetic jungle, no faked sound effects, no toothless old lions that every picture fan in the U.S. knows by their first names. No, sir This will be the real thing." A secretary entered the room and closed the door behind her. "Mr. Orman is here," she said. "Good Ask him to come in, please." Mr. Smith rubbed his palms together and turned to the others. "Thinking of Orman was nothing less than an inspiration," he exclaimed. "He's just the man to make this picture."
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