In the first decades of the 20th century, George Bellows and other painters of the Ashcan School, a loosely connected group of gritty, urban realists, created images of the city from street leve
This 1998 collection is a specialised study to deal with the important question of Lewis's aggression. The eight contributors consider Lewis's career, from its inception to his final novels, within a major focus on the First World War and the interwar period. Their chapters examine Lewis's First World War art, his postwar politics and aesthetics, the new turn his painting and thought took in the 1930s and the connections between modernism, war and aggression. Overall, the volume offers a reassessment of the conventional view of Lewis as the uncontrolled aggressor of British modernism.
This 1998 collection is a specialised study to deal with the important question of Lewis's aggression. The eight contributors consider Lewis's career, from its inception to his final novels, within a major focus on the First World War and the interwar period. Their chapters examine Lewis's First World War art, his postwar politics and aesthetics, the new turn his painting and thought took in the 1930s and the connections between modernism, war and aggression. Overall, the volume offers a reassessment of the conventional view of Lewis as the uncontrolled aggressor of British modernism.
This innovative and exciting volume celebrates the career and influence of Professor Janet Wolff. Janet Wolff has been a highly influential voice in the literature of sociology, cultural studies, visu
In the late nineteenth and early twentieth centuries, the notion of Englishness was widely debated in English art and cultural circles. Might there be a specifically English landscape and an English w
This wide-ranging retrospective of an American genius covers, for the first time, every stage of George Bellows' short but prolific career and is destined to become the definitive work for Bellows sch
