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Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.

Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.

In recent decades, the study of Roman art has shifted focus dramatically from issues of connoisseurship, typology, and chronology to analyses of objects within their contemporary contexts and local en

In this deluxe gift book, more than 50 women share their grandmothers' deeply moving life stories and favorite family recipes.

Green (history, Northeastern U.) examines the cultural meanings of the era's restrictive clothing and other artifacts of limited women's roles, shown in many illustrations from the Margaret Woodbury M

Arguably the intellectual leader of the revolution, Madison served not only as President of the young republic but also as Secretary of State, among other posts in a long and distinguished career. In