Greek lyric poetry encompassed a wide range of types of poem, from elegy to iambos and dithyramb to epinician. It particularly flourished in the Archaic and Classical periods, and some of its practitioners, such as Sappho and Pindar, had significant cultural influence in subsequent centuries down to the present day. This Companion provides an accessible introduction to this fascinating and diverse body of poetry and its later reception. It takes account of the exciting new papyrus finds and new critical approaches which have greatly advanced our understanding of both the corpus itself and of the sociocultural contexts in which lyric pieces were produced, performed and transmitted. Each chapter is provided with a guide to further reading, and the volume includes a chronology, glossary and guide to editions and translations.
This 1999 book is a wide-ranging study of Sophoclean language. From a detailed analysis of sentence-structure in the first chapter, it moves on to discuss in subsequent chapters how language shapes the perception of characters, of myths, of gods and of choruses. All chapters are united by a shared concern: how does Sophoclean language engage readers and spectators? In answering this question, The Language of Sophocles avoids the current emphasis on cultural specificity. Instead, it concentrates on those aspects of Sophoclean language which can engage a large number of different spectators and readers. With this change in emphasis, this study is able to offer various fresh observations about the workings of Sophoclean language. Although the book focuses on the original Greek, translations make it accessible to anybody interested in Greek tragedy.
Greek lyric poetry encompassed a wide range of types of poem, from elegy to iambos and dithyramb to epinician. It particularly flourished in the Archaic and Classical periods, and some of its practitioners, such as Sappho and Pindar, had significant cultural influence in subsequent centuries down to the present day. This Companion provides an accessible introduction to this fascinating and diverse body of poetry and its later reception. It takes account of the exciting new papyrus finds and new critical approaches which have greatly advanced our understanding of both the corpus itself and of the sociocultural contexts in which lyric pieces were produced, performed and transmitted. Each chapter is provided with a guide to further reading, and the volume includes a chronology, glossary and guide to editions and translations.
This 1999 book is a wide-ranging study of Sophoclean language. From a detailed analysis of sentence-structure in the first chapter, it moves on to discuss in subsequent chapters how language shapes the perception of characters, of myths, of gods and of choruses. All chapters are united by a shared concern: how does Sophoclean language engage readers and spectators? In answering this question, The Language of Sophocles avoids the current emphasis on cultural specificity. Instead, it concentrates on those aspects of Sophoclean language which can engage a large number of different spectators and readers. With this change in emphasis, this study is able to offer various fresh observations about the workings of Sophoclean language. Although the book focuses on the original Greek, translations make it accessible to anybody interested in Greek tragedy.
Recent decades have seen a major expansion in our understanding of how early Greek lyric functioned in its social, political, and ritual contexts, and the fundamental role song played in the day-to-da
Richard Claverhouse Jebb (1841-1905), Regius Professor of Greek and Fellow of Trinity College, Cambridge, was one of the foremost classicists of the Victorian era. His editions of Sophocles' plays app
Choruses, Ancient and Modern examines the ancient Greek chorus and its afterlives in western culture. Choruses, though absolutely central to the social, political, and religious life of classical Gree
