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David Edge/ Stephen Duffy/ Robert Mark Wenley/ Francis Haskell (1)
Francis Haskell (1)
Francis Haskell/ Nicholas Penny (1)
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Katharine Baetjer/ J. G. Links/ J. G. Links (CON)/ Michael Levey (CON)/ Francis Haskell (CON) (1)
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Yale Univ Pr (4)
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5筆商品,1/1頁
The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition
90折
作者:Francis Haskell  出版社:Yale Univ Pr  出版日:2000/10/01 裝訂:精裝
When and why did large-scale exhibitions of Old Master paintings begin, and how have they evolved through the centuries? In this book an eminent art historian examines the intriguing history and signi
定價:3465 元, 優惠價:9 3119
無庫存,下單後進貨(到貨天數約30-45天)
Taste and the Antique: The Lure of Classical Sculpture 1500-1900
90折
作者:Francis Haskell; Nicholas Penny  出版社:Yale Univ Pr  出版日:1982/09/10 裝訂:平裝
A history of the development of critical opinions on ancient Greek and Roman sculpture discusses the owners, identification, copies, and fame of individual statues
定價:1520 元, 優惠價:9 1368
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The King's Pictures ─ The Formation and Dispersal of the Collections of Charles I and His Courtiers
90折
作者:Francis Haskell; Nicholas Penny (FRW); Karen Serres (INT)  出版社:Yale Univ Pr  出版日:2013/11/19 裝訂:精裝
The greatest paintings in today’s most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Rapha
定價:2400 元, 優惠價:9 2160
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Prince of San Donato, Anatole Demidoff (1812-70)
滿額折
作者:David Edge; Stephen Duffy; Robert Mark Wenley; Francis Haskell  出版社:Paul Holberton Pub  出版日:1994/09/01 裝訂:平裝
This book discusses each of these and illustrates all of them in color for the first time. It also provides a valuable biographical introduction with illustrations of related paintings and drawings by
定價:873 元, 優惠價:1 873
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Canaletto
作者:Katharine Baetjer; J. G. Links; J. G. Links (CON); Michael Levey (CON); Francis Haskell (CON)  出版社:Yale Univ Pr  出版日:2013/09/03 裝訂:平裝
At the beginning of his career Canaletto (1697–1768) painted views of Venice that were singled out by the most discerning connoisseurs, and at its peak in the 1730s and 1740s he was by far the most su
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