This special issue of positions adds to the increasingly substantial set of discussions on contemporary visual art in Asia. Approaching the topic from an interrogative perspective-one that explores de
" Starting in the mid-1960s, a group of Korean artists began to push paint, soak canvas, drag pencils, rip paper, and otherwise manipulate the materials of painting in ways that prompted critics to de
Models of Integrity examines the relationship between contemporary art and the law through the lens of integrity. In the 1960s, artists began to engage conspicuously with legal ideas, rituals, an
In the past two decades, there have been major developments in Korean art, as the country has opened up under the influence of globalization. This unprecedented book focuses on the work of twelve of
