A new perspective on woman’s role in the world of art jewelry at the turn of the twentieth century—from Art Nouveau in France and the Arts and Crafts movement in Britain, to Jugendstil in Germany and
Bright and bold and found everywhere in fin-de-siecle Paris, the poster was a brilliant fusion of art and commerce. New printing methods made it possible to distribute and post fantastic, full-color prints spurring both artists and advertisers to take advantage of these public canvases. During its golden age in Paris, the poster was acclaimed for enlivening city streets, even as it was decried for its raucous colors, overt commodification, sexualized female figures, and oversized imagery. Collectors raced to snap up these ephemeral art pieces sparking a frenzied demand dubbed affichomanie,complete with its own experts and specialized publications containing small-scale prints for the home.L’Affichomania: The Passion for French Posters is a lavishly illustrated collection of these posters focusing on the work of five masters: Jules Cheret, the acknowledged founder of the field, Eugene Grasset, Theophile-Alexandre Steinlen, Alphonse Mucha, and Henri de Toulouse Lautrec. All are drawn fro
