Kingdom extends Joseph Millar’s articulate devotion to the astonishments of daily life—their mingled beauty and pain. As in his first three books, Millar, like the late Philip Levine, has a keen eye f
Overtime, Joseph Millar’s first book of poetry, both traditionally elegiac and formally unexpected—aims at the overlap between art and the everyday grind of work and single fatherhood. Here we find po
Like Conrad's Marlow, Joseph Millar speaks with fierce compassion and the authority of hard-won experience. In his remarkable third collection, Blue Rust, he lays down "the shield of irony" without ta
