This well-illustrated book analyses convent culture in sixteenth-century Italy through the medium of three unpublished nuns' chronicles. The book uses a comparative methodology of 'connected differences' to examine the intellectual and imaginative achievement of the nuns, and to investigate how they fashioned and preserved individual and convent identities by writing chronicles. The chronicles themselves reveal many examples of nuns' agency, especially with regard to cultural creativity, and show that convent traditions determined cultural priorities and specialisms, and dictated the contours of convent ceremonial life.
Leading experts from the disciplines of history, literature, art history and anthropology examine black African experiences and representations from slavery to black musicians and dancers, from real a
