This comprehensive book is the first in English to examine two of the most successful and important postwar Japanese artists, Kazuo Shiraga (1924–2008) and Sadamasa Motonaga (1922–2011). During an 18-
Minoru Onoda is best known as a member of Gutai, Japan’s first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and ini
