This book is a study of Spenser's conception of the nature of heroism and the way it is embodied in the separate books of The Faerie Queene. Professor Evans stresses the coherence of Spenser's scheme of virtues and examines the fusion of Christian symbol and classic myth through which the underlying Christian theme is expressed. He emphasises the didactic purpose of the poem, and the rhetorical method by which the allegory works upon the reader. It is his contention that Spenser completed his poem, and that The Faerie Queene as it stands presents an organic unity so firmly controlled that it is unprofitable to consider any book, canto or even single verse isolation from the poem as a whole. The complexity of the poetry which this study reveals suggests that Spenser has much in common with the metaphysicals, while the subtle dissection of human motive and behaviour within the poem would place him in closer relationship to the drama than is normally recognised.
Originally published in 1939, this book was formed from the Le Bas Prize Essay for 1938. Given the relatively concise nature of the text, biographical exposition is avoided in favour of a detailed analysis of Chesterton's philosophical standpoint and literary achievements. There are seven chapters discussing the following areas: 'Background and Influences'; 'Orthodoxy and the Catholic Church'; 'Political Beliefs'; 'The Novels'; 'The Essays'; 'The Poems'; 'Style and Argument'. This book will be of value to anyone with an interest in the works of Chesterton, philosophy and literary criticism.
For more than 200 years after its first publication in 1593, The Countess of Pembroke's Arcadia was the most read, best-selling story in the language?the great English popular classic and one of the m
Artists in the Photo League, active from 1936 to 1951, were known for capturing sharply revealing, compelling moments from everyday life. Their focus centered on New York City and its vibrant streets—
