By way of dialogues, Michael Krausz offers philosophical reflections about his life as a philosopher, artist, and musician. After providing biographical accounts of his years of experience in these ar
Do cultural artifacts admit of only one single admissible interpretation? Or do they admit of several admissible interpretations? If so, do such multiple interpretations arise only in connection with
What is truth, goodness, or beauty? Can we really define these concepts without the idea of a frame of reference? In the newest addition to the New Dialogues in Philosophy series, Michael Krausz prese
Michael Krausz presents fictional dialogues between four Conner classmates who hold significantly different views. As they travel in India, a place with unfamiliar concepts and customs, these four fr
The thirty-three essays in "Relativism: A Contemporary Anthology" grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many variet
This volume looks at the symbiotic relationship between the philosophical inquiry into the presuppositions of musical interpretation and the interpretation of particular musical works by musicians. Ch
The thirty-three essays in "Relativism: A Contemporary Anthology" grapple with one of the most intriguing, enduring, and far-reaching philosophical problems of our age. Relativism comes in many variet
Seventeen philosophical thinkers ask: What is creativity? What are the criteria of creativity? Should we assign logical priority to creative persons, processes, or products? How do various forms of cr
In this still-relevant collection of 17 reprinted essays (eight of which are from The Idea of Creativity in Science and Art, Martinus Nijhoff, 1981), Krausz (philosophy, Bryn Mawr College) and other m
