From Tennessee Williams and Carson McCullers to Arthur Kopit and Brian Friel, New York-based literary agent Audrey Wood encouraged and guided the unique talents of playwrights in the Broadway theatre
From Tennessee Williams and Carson McCullers to Arthur Kopit and Brian Friel, New York-based literary agent Audrey Wood encouraged and guided the unique talents of playwrights in the Broadway theatre
Broadway producer Cheryl Crawford (1902–1986) declared in her 1977 autobiography, “The theatre has been my life.” Crawford was notoriously circumspect about her private life, and only now, with Milly
Barranger (emerita, University of North Carolina-Chapel Hill) introduces students to the artists, audiences, and productions of theater. Early chapters address theatrical spaces, dramatic writing, and
Experience theatre as "a performing art and humanistic event." THEATRE: A WAY OF SEEING is an exciting introduction to all aspects of theatre: who sees it, what is seen, and where and how it is seen.
Unfriendly Witnesses: Gender, Theater, and Film in the McCarthy Era examines the experiences of seven prominent women of stage and screen whose lives and careers were damaged by the McCarthy-era “witc
The Group Theatre, a groundbreaking ensemble collective based in New York that operated from 1931 to 1941, started the careers of many top American theatre artists of the twentieth century and founded
