The legitimacy of applying historical research to musical performance has been much argued about in recent years. Those advocating historical authenticity have been attacked on philosophical, aestheti
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences li
The revival of interest in early instruments that began over a hundred years ago has more recently led to a desire amongst scholars, performers, and listeners to understand how old instruments sounded
BookTI:ME is a non-profit organization whose goals and objectives include the development of in-service teacher training and certification in the area of music technology. This upated edition is an es
