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How does Romantic poetry read if seen as the product of social authorship—the group language of coteries of writers, editors, publishers and critics—rather than as a series of verbal icons—original ly

The later poetry of William Wordsworth, popular in his lifetime and influential on the Victorians, has, with a few exceptions, received little attention from contemporary literary critics. In Wordswor

Investigating a transatlantic culture that flourished in Great Britain and North America between 1750 and 1850, this collection explains how complex relationships between Britons, Native Americans and Anglo-Americans shaped the literature and history of the age. This shaping role has all too often been ignored or misconstrued by literary critics and historians. The book's chapters examine literary texts, travel accounts, traders' memoirs, historical documents, captivity narratives, autobiographies, newspaper articles, and visual arts. Its contributors chart the rise and fall of mixed communities living on the margins of white and Indian settlements, examining the role of 'cultural brokers' who used their expertise in both white and Indian cultures to mediate between them.

Investigating a transatlantic culture that flourished in Great Britain and North America between 1750 and 1850, this collection explains how complex relationships between Britons, Native Americans and Anglo-Americans shaped the literature and history of the age. This shaping role has all too often been ignored or misconstrued by literary critics and historians. The book's chapters examine literary texts, travel accounts, traders' memoirs, historical documents, captivity narratives, autobiographies, newspaper articles, and visual arts. Its contributors chart the rise and fall of mixed communities living on the margins of white and Indian settlements, examining the role of 'cultural brokers' who used their expertise in both white and Indian cultures to mediate between them.

In 1768, Captain James Cook made the most important scientific voyage of the eighteenth century. He was not alone: scores of explorers like Cook, travelling in the name of science, brought new worlds and new peoples within the horizon of European knowledge for the first time. Their discoveries changed the course of science. Old scientific disciplines, such as astronomy and botany, were transformed; new ones, like craniology and comparative anatomy, were brought into being. Scientific disciplines, in turn, pushed literature of the period towards new subjects, forms and styles. Works as diverse as Mary Shelley's Frankenstein and Wordsworth's Excursion responded to the explorers' and scientists' latest discoveries. This wide-ranging and well-illustrated study shows how literary Romanticism arose partly in response to science's appropriation of explorers' encounters with foreign people and places and how it, in turn, changed the profile of science and exploration.

In 1768, Captain James Cook made the most important scientific voyage of the eighteenth century. He was not alone: scores of explorers like Cook, travelling in the name of science, brought new worlds and new peoples within the horizon of European knowledge for the first time. Their discoveries changed the course of science. Old scientific disciplines, such as astronomy and botany, were transformed; new ones, like craniology and comparative anatomy, were brought into being. Scientific disciplines, in turn, pushed literature of the period towards new subjects, forms and styles. Works as diverse as Mary Shelley's Frankenstein and Wordsworth's Excursion responded to the explorers' and scientists' latest discoveries. This wide-ranging and well-illustrated study shows how literary Romanticism arose partly in response to science's appropriation of explorers' encounters with foreign people and places and how it, in turn, changed the profile of science and exploration.

Eighteenth-century landscape description formed part of a larger debate over the nature of liberty and authority which was vital to a Britain newly defining its nationhood in a period of growing imperial power and rapid economic change. Tim Fulford examines landscape description in the writings of Thomson, Cowper, Johnson, Gilpin, Repton, Wordsworth, Coleridge and others, revealing tensions that arose as writers struggled for authority over the public sphere and sought to redefine the nature of that authority. In his investigation of poetry and political and aesthetic writing, Dr Fulford throws light on the legacy of Commonwealth and Country-party ideas of liberty. Also discussed are the significance of the Miltonic sublime, the politics of the picturesque and the post-colonial encounter of the Scottish tour. Dr Fulford goes on to show how the early radicalism and later conservatism of Wordsworth and Coleridge were shaped, in part, by eighteenth-century literary political and literary

The long-established association of Romanticism with youth has resulted in the early poems of the Lake Poets being considered the most significant. Tim Fulford challenges the tendency to overlook the later poetry of no longer youthful poets, which has had the result of neglecting the Wordsworth, Coleridge and Southey of the 1820s and leaving unexamined the three poets' rise to popularity in the 1830s and 1840s. He offers a fresh perspective on the Lake Poets as professional writers shaping long careers through new work, as well as the republication of their early successes. The theme of lateness, incorporating revision, recollection, age and loss, is examined within contexts including gender, visual art, and the commercial book market. Fulford investigates the Lake Poets' later poems for their impact now, while also exploring their historical effects in their own time and counting the costs of their omission from Romanticism.

The long-established association of Romanticism with youth has resulted in the early poems of the Lake Poets being considered the most significant. Tim Fulford challenges the tendency to overlook the later poetry of no longer youthful poets, which has had the result of neglecting the Wordsworth, Coleridge and Southey of the 1820s and leaving unexamined the three poets' rise to popularity in the 1830s and 1840s. He offers a fresh perspective on the Lake Poets as professional writers shaping long careers through new work, as well as the republication of their early successes. The theme of lateness, incorporating revision, recollection, age and loss, is examined within contexts including gender, visual art, and the commercial book market. Fulford investigates the Lake Poets' later poems for their impact now, while also exploring their historical effects in their own time and counting the costs of their omission from Romanticism.

Following in the steps of Morton D. Paley's Energy and the Imagination: A Study of the Development of Blake's Thought (1970) and following works, these 14 essays, presented by Fulford (English, Nott

A collection of work that attempts to reflect the diversity of travel literature from the late 18th and early 19th centuries. This literature often reveals something of the cultural and gender differe

A collection of work that attempts to reflect the diversity of travel literature from the late 18th and early 19th centuries. This literature often reveals something of the cultural and gender differe

For poetry in England, the Regency years (1811-1820) were a time of cultural revolution, with key figures such as Robert Southey and Leigh Hunt. Revisiting the wide impact of this period, this collect