Poetry. As if Catullus and Jarvis Cocker had conjoined with John Betjeman to pen catty, racy, brilliantly-rhyming poem-portraits of an age enthralled with gin, football, sex and surgery, Dhuga's debut
Debate concerning the extent to which the tragic chorus is marginal to the dramatic action has prevailed in discussions of choral identity and, more broadly, Greek tragedy as a whole, since the time o
