Tailored specifically for students new to the daunting field of literary theory, Fred Botting's Gothic is a clear and welcome introduction to the study of this compelling genre. This lucid, easy-to-fo
This enduringly popular book has become a classic in the expanding and increasingly popular field of Gothic Studies. This long awaited new edition contains a new chapter on ‘Contemporary Gothic’, an e
Horror isn't what it used to be. Nor are its Gothic avatars. The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fictio
Horror isn't what it used to be. Nor are its Gothic avatars.The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction
This enduringly popular book has become a classic in the expanding and increasingly popular field of Gothic Studies. This long awaited new edition contains a new chapter on ‘Contemporary Gothic’, an e
The dark, destructive and monstrous elements of gothic fiction have traditionally been seen in opposition to the rose-tinted idealism of Romanticism. In this ground-breaking study, Fred Botting re-eva
The popularity of Gothic fictions, themes and films suggests that the genre is the norm as much as the dark underside of contemporary cultural production. Having endured for over two hundred years and
Emerging from the shadow of popular reproductions, Frankenstein's importance in debates about gender, culture and politics has been dramatically affected by recent developments in criticism and theory
In the last two decades criticism of Gothic fiction has been transformed from a scholarly backwater, interesting itself in literary curiosities, to a wave of wide-ranging critical investigations colle
Monstrous media/spectral subjects explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present. It argues that emerging media
Monstrous Media/Spectral Subjects explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present. It argues that emerging media
