◎古羅文君 Miru Xiumuyi台灣泰雅族。稻草人現代舞蹈團團長暨製作人，跨領域當代藝術家暨獨立策展人。高雄師範大學跨領域藝術研究所碩士。2020年入選第五屆Pulima藝術節「mapalak tnbarah 路 折枝」策展團之一，於新竹縣尖石鄉梅花部落進行《歧路身林 The Body of Forking Paths》策展計畫。2019年撰寫並出版《足in‧動與感之境遇―稻草人現代舞團特定空
Eternal Transience, Enlightened Wisdom:Masterpieces of Buddhist Art contextualises thirtythree bronze statues and thangkas of deities and gurus in Tibetan Buddhism from Tibet, Nepal, Pakistan and Mongolia dating from the 6th–19th centuries.From an art historical perspective, these Himalayan masterpieces reflect an array of aesthetic and artistic traditions from neighbouring regions across the Indian subcontinent and Central Asia. The book provides a comprehensive analysis of the artworks’ iconography and material culture.As part of Buddhism’s eternal journey from India to the Himalayas, China and Japan, the religious icons and objects of daily religious practice remain a testament to the shifting cultures that have engaged with Buddhism over the millennia.Acknowledging such a state of transience highlights the enlightened wisdom of Tibetan Buddhism as portrayed through the various artworks.「如來一相：佛教藝術藏珍」展出藏傳佛教藝術品，包括銅像及唐卡。展品源自6至19世紀西藏、尼泊爾、巴基斯坦，甚至遠及蒙古。藝術史上，藏傳佛教藝術興於喜馬拉雅山脈一帶，承襲了印度次大陸及中亞地區的美
