This book, a milestone in American music scholarship, is the first to take a close look at an important and little-studied component of African American music, one that has roots in Europe, but was ad
(Boosey & Hawkes Scores/Books). Orchestral version for tenor, viola and string orchestra. Contents: Lord! come away! (Jeremy Taylor) * Who is this fair one? (Isaac Watts) * Come Love, come Lord (R
