Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined
Captain Pausert just can't catch a break!First, he became the mortal enemy of his fiancee, his home planet, the Empire-and even the Worm World, the darkest threat to mankind in all of space. All because he helped rescue three slave children from their m
A NEW NOVEL IN ERIC FLINT'S LANDMARK RING OF FIRE SERIES CONTIINUING THE EASTERN EUROPE STORYLINE EXPLORED BY FLINT IN 1637: THE POLISH MAELSTROM.Up-timer Morris Roth and his Grand Army of the Sunrise stand at a crossroads. Military success against the Polish-Lithuanian magnates has all but guaranteed a continued push east into Ruthenian lands. There, Roth hopes to further his Anaconda Project so that tens of thousands of Jews are not slaughtered in what’s to become known as the Chmielnicki Pogrom of 1648. An envoy from Transylvania arrives with a promising offer from its prince, who wishes to form an alliance with Bohemia, but the land shrouded in the fog of the Carpathian mountains and known only to most up-timers as the playground of Count Dracula is a vassal state of the Ottoman Empire. Such an alliance would surely draw the ire of Sultan Murad IV. The United States of Europe agrees to assist the Bohemian forces, and sends in the Silesian Guard, under the command of Brigadier Jeff
Goal-oriented Maya has two main concerns: getting support and permission for girls' soccer and keeping her unpredictable biracial family together. At the same time she's trying to fit in at school, figure out who her true friends are, and dodge the criticisms of her traditional East Indian grandmother and the other relatives who say girls should be quiet and obedient. Maya's witty, observant first-person narrative will make readers want her on their team, and they'll cheer her on as she discovers that winning is great—but losing doesn't mean defeat.
#14 in the multiply bestselling Ring of Fire Series.1636. Grantville has bounced back and established its new mission and identity, but it seems some have been left behind—people like Bernie Zeppi, co
At a time when fluff and gossip reign supreme, Hanna Flint's work is consistently insightful, informative and engaging all at once. I always finish reading it feeling just a tad bit smarter.' Candice Frederick, Huffington Post'One of the smartest pop culture commentators out there.' Toby Moses, GuardianHanna Flint speaks from the heart in Strong Female Character, a personal and incisive reflection on how cinema has been the key to understanding herself and the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her.Interweaving anecdotes from familial and personal experiences - episodes of messy sex, introspection, and that time actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - she offers a critical eye on the screen's representation of women and ethnic minorities, their impact on her life, body image and ambitions, with the humour and eloquence that has made her a leading film
Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined
