The postmodern in Canadian visual arts had reached its zenith by the late 1980s. When Remembering Postmodernism was published just a few years later, it was perfectly poised to be the first detailed e
These readings are organized into four sections. The first explores the wellsprings of the debates in the relationship between the postmodern and the enterprise it both continues and contravenes: mode
This special issue of South Atlantic Quarterly focuses on music—be it a film score, incidental music for a play, or music for pantomime or dance—as a nonautonomous phenomenon. The
