This work is the first history and evaluation of contemporary American critical theory within its European philosophical contexts. In the first part, Frank Lentricchia analyzes the impact on our criti
In the editor's introduction to this volume, Maurice Blanchot (1907-2003) is described as "a writer whose work breaks new ground in its account of the philosophical implications of the thing called li
In this 1992 book, John Kennedy's point is that explicit anthropomorphism was well-nigh killed by fierce criticism from the radical Behaviourists, but that we have to recognize that today there is a new anthropomorphism which is much harder to avoid because it is unintended and largely unconscious. For that reason even those who if they were asked would firmly reject anthropomorphism nevertheless unwittingly slip into it from time to time. This book contains nineteen essays on behavioural concepts which have seldom been identified as anthropomorphic but in fact bear that connotation and lead to mistakes. Some of these, such as search images in birds and the learning of grammatical language by apes, have been seen through as errors after a time. A greater number, such as efference copy, goal-directedness, cognition and suffering in animals, are still current though not yet regarded as erroneous. The final chapter outlines things we can do to minimise the damage it does to the causal ana
In this 1992 book, John Kennedy's point is that explicit anthropomorphism was well-nigh killed by fierce criticism from the radical Behaviourists, but that we have to recognize that today there is a new anthropomorphism which is much harder to avoid because it is unintended and largely unconscious. For that reason even those who if they were asked would firmly reject anthropomorphism nevertheless unwittingly slip into it from time to time. This book contains nineteen essays on behavioural concepts which have seldom been identified as anthropomorphic but in fact bear that connotation and lead to mistakes. Some of these, such as search images in birds and the learning of grammatical language by apes, have been seen through as errors after a time. A greater number, such as efference copy, goal-directedness, cognition and suffering in animals, are still current though not yet regarded as erroneous. The final chapter outlines things we can do to minimise the damage it does to the causal ana
A new critical model drawing on the ideas of Wittgenstein and Cavell and focusing on the role of the ordinary and the familiar in the experience of writing and reading
Sir Arthur Quiller-Couch (1863–1944), who often published under the pen-name of 'Q', was one of the giants of early twentieth-century literature and literary criticism. A novelist and poet who was also a Professor of English, he helped to form the literary tastes of generations of literary students and scholars who came after him. The freshness, enthusiasm and intellectual insight of his work is still evident in his writings nearly a century on. Cambridge University Press is delighted to reissue some of his key texts in this new edition. Early in his career Quiller-Couch made many short contributions to the periodical The Speaker. The articles collected here address subjects as diverse as 'Robinson Crusoe' and Robert Louis Stevenson, 'The Popular Conception of a Poet' and 'Who wrote the Odyssey?"
The Imaginary and Its Worlds collects essays that boldly rethink the imaginary as a key concept for cultural criticism. Addressing both the emergence and the reproduction of the social, the imaginary
Punday (English, Purdue U.) carefully picks out a path between the rhetoric that defines deconstruction as a movement past and rejected, and the insistence that all criticism that follows from and att
Art, cultural production and criticism in both the East and the West faced radical new challenges after the end of the Cold War. Art and Theory After Socialism considers what happens when theories of
After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance.
By the 1920s, the sectional reconciliation that had seemed achievable after Reconstruction was foundering, and the South was increasingly perceived and portrayed as impoverished, uneducated, and backw
Medieval western theologians considered the Johannine comma (1 John 5:7-8) the clearest biblical evidence for the Trinity. When Erasmus failed to find the comma in the Greek manuscripts he used for his New Testament edition, he omitted it. Accused of promoting Antitrinitarian heresy, Erasmus included the comma in his third edition (1522) after seeing it in a Greek codex from England, even though he suspected the manuscript's authenticity. The resulting disputes, involving leading theologians, philologists and controversialists such as Luther, Calvin, Sozzini, Milton, Newton, Bentley, Gibbon and Porson, touched not simply on philological questions, but also on matters of doctrine, morality, social order, and toleration. While the spuriousness of the Johannine comma was established by 1900, it has again assumed iconic status in recent attempts to defend biblical inerrancy amongst the Christian Right. A social history of the Johannine comma thus provides significant insights into the rece
In this substantial volume, Herberle (English, University of Hawai'i at Manoa) presents the first collection of Vietnam War criticism published since the 1990s. The book's essays on literature, film a
Acts of Engagement brings together writings spanning the extraordinarily eventful ten-year after the author left The New York Times, where he had been an art critic from 1982 to 1991. The writings fal
This book offers a new interpretation of the life and legacy of the Indian reformer and intellectual, Ishvarchandra Vidyasagar (1820–91). Drawing upon autobiography, biography, secondary criticism and
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 69 include: Cue for Passion: on the Dynamics of Shakespearean Acting; In Search of the Lost Mode: Improvisation and All That Jazz; Still In Yer Face? Towards a Critique and a Summation; The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler; The RSC Goes Walkabout: The Dillen in Stratford, 1983; After Grotowski – the Next Generation; The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H.
More than fifty years after the publication of Anatomy of Criticism, Northrop Frye remains one of Canada's most influential intellectuals. This reappraisal reasserts the relevance of his work to the s
A New Literary History of the Long Twelfth Century offers a new narrative of what happened to English language writing in the long twelfth century, the period that saw the end of the Old English tradition and the beginning of Middle English writing. It discusses numerous neglected or unknown texts, focusing particularly on documents, chronicles and sermons. To tell the story of this pivotal period, it adopts approaches from both literary criticism and historical linguistics, finding a synthesis for them in a twenty-first century philology. It develops new methodologies for addressing major questions about twelfth-century texts, including when they were written, how they were read and their relationship to earlier works. Essential reading for anyone interested in what happened to English after the Norman Conquest, this study lays the groundwork for the coming decade's work on transitional English.
Sir Arthur Quiller-Couch (1863–1944), who often published under the pen-name of 'Q', was one of the giants of early twentieth-century literature and literary criticism. A novelist and poet who was also a Professor of English, he helped to form the literary tastes of generations of literary students and scholars who came after him. The freshness, enthusiasm and intellectual insight of his work is still evident in his writings nearly a century on. Cambridge University Press is delighted to reissue some of his key texts in this new edition.
Sir Arthur Quiller-Couch (1863–1944), who often published under the pen-name of 'Q', was one of the giants of early twentieth-century literature and literary criticism. A novelist and poet who was also a Professor of English, he helped to form the literary tastes of generations of literary students and scholars who came after him. The freshness, enthusiasm and intellectual insight of his work is still evident in his writings nearly a century on. Cambridge University Press is delighted to reissue some of his key texts in this new edition.
