Reformation-era interpreters found anchor for their teaching, preaching and hope in the promise of Christ running through these first eleven chapters, from creation to the calling of Abraham. While fo
Studies of the causes of wars generally presuppose a 'realist' account of motivation: when statesmen choose to wage war, they do so for purposes of self-preservation or self-aggrandizement. In this book, however, David Welch argues that humans are motivated by normative concerns, the pursuit of which may result in behaviour inconsistent with self-interest. He examines the effect of one particular type of normative motivation - the justice motive - in the outbreak of five Great Power wars: the Crimean war, the Franco-Prussian war, World War I, World War II, and the Falklands war. Realist theory would suggest that these wars would be among the least likely to be influenced by considerations other than power and interest, but the author demonstrates that the justice motive played an important role in the genesis of war, and that its neglect by theorists of international politics is a major oversight.
Studies of the causes of wars generally presuppose a 'realist' account of motivation: when statesmen choose to wage war, they do so for purposes of self-preservation or self-aggrandizement. In this book, however, David Welch argues that humans are motivated by normative concerns, the pursuit of which may result in behaviour inconsistent with self-interest. He examines the effect of one particular type of normative motivation - the justice motive - in the outbreak of five Great Power wars: the Crimean war, the Franco-Prussian war, World War I, World War II, and the Falklands war. Realist theory would suggest that these wars would be among the least likely to be influenced by considerations other than power and interest, but the author demonstrates that the justice motive played an important role in the genesis of war, and that its neglect by theorists of international politics is a major oversight.
SchottOrchestration * I. Genesis * II. Programme * III. Analysis * IV. The textual Problem * 2 Facsimile * Bibliography * Critical Commentary * I. Bedachtig. Nicht eilen * II. In gemachlicher Bewegung
Fourier analysis aims to decompose functions into a superposition of simple trigonometric functions, whose special features can be exploited to isolate specific components into manageable clusters before reassembling the pieces. This two-volume text presents a largely self-contained treatment, comprising not just the major theoretical aspects (Part I) but also exploring links to other areas of mathematics and applications to science and technology (Part II). Following the historical and conceptual genesis, this book (Part I) provides overviews of basic measure theory and functional analysis, with added insight into complex analysis and the theory of distributions. The material is intended for both beginning and advanced graduate students with a thorough knowledge of advanced calculus and linear algebra. Historical notes are provided and topics are illustrated at every stage by examples and exercises, with separate hints and solutions, thus making the exposition useful both as a course
Fourier analysis aims to decompose functions into a superposition of simple trigonometric functions, whose special features can be exploited to isolate specific components into manageable clusters before reassembling the pieces. This two-volume text presents a largely self-contained treatment, comprising not just the major theoretical aspects (Part I) but also exploring links to other areas of mathematics and applications to science and technology (Part II). Following the historical and conceptual genesis, this book (Part I) provides overviews of basic measure theory and functional analysis, with added insight into complex analysis and the theory of distributions. The material is intended for both beginning and advanced graduate students with a thorough knowledge of advanced calculus and linear algebra. Historical notes are provided and topics are illustrated at every stage by examples and exercises, with separate hints and solutions, thus making the exposition useful both as a course
Mozart's piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart's compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas, followed by a discussion of formal design and finally a consideration of the style. The resulting picture affords a cross-section of Mozart's compositional strategies.
