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推開藝術工作的大門共同打造一場精彩的展覽！ 藝術家如何創作雕塑或是畫作？ 這些靈感從哪兒來？ 他們的工作室會有什麼不同？ 藝術作品怎麼進入美術館？ 最後，如何完成一場精彩的展覽呢？ 由美國知名David Zwirner卓納畫廊所策劃的第一本藝術童書。 推開藝術工作的大門，探索兩位藝術家的作品，從發想到完成，再從工作室前往美術館的一段旅程。 沿途遇見的每一位人物──藝術品包裝人員、策展人、館長、佈展人員、登錄員、保全人員、修復員、燈光設計師，還有許多具備專業背景的工作人員，以及進場的觀眾──都是展覽中不可或缺的重要角色。 進入這趟藝術的旅程，看看每一位專業的夥伴，如何共同打造一場豐富、精彩的展覽吧！ 各界推薦胡忻儀（均勻製作總監、大展身手做展覽發起人）楊筱琪（與孩子一同穿梭於展覽世界的 〈Hipster Baby Diary〉IG版主）熊思婷（臺北市立美術館教育服務組組長）好評推薦「藝術創作難憑一己之力完成，每個展覽都是團隊努力的成果，其中多數人都是無名英雄。要把藝術從創作者腦中帶到現實世界所涉及的工作、角色與技術極為繁複，這正是本書焦點，也是其精彩之處。從小到大，我從沒想過原來藝術產業牽涉了數不盡的行業，因此，如果本書能幫助孩子們發現了賴以謀生的職業，即使只有一個，那麼它也就完成了使命，畢竟藝術的重要性是無可言喻的！」──奧利佛．傑法（Oliver Jeffers）「布雷克擅長以鮮明、俐落的色塊來作畫，她筆下的人物與細節富有設計感，同時不失精巧細緻……簡單、清楚而精確的語言，讓孩子們很容易就明白，有哪些不同的方法可以參與一場精采的展覽。」──Javaka Steptoe，〈紐約時報〉「布雷克的時尚插畫運用明確而簡潔的形狀、飽和的色彩，並配合文字和標籤來說明物體及過程。這是給成年藝術愛好者的視覺復活節彩蛋，為熟悉的藝術世界帶來耳目一新之感。」──〈出版者周報〉「朵蘿．葛洛芭絲和蘿絲．布雷克以極為繁複的流程（往往長達數年）來探索展覽的諸多細節。圖像和文字完美相輔相成，讓年輕人（和老年人！）了解打造一場展覽的全貌。在博物館工作幾十年的我，可以認證這本書是一份禮物。當所有年齡層孩子看到實現這項成就背後的幕後活動，必定會得到啟發！」──Emily Rafferty（大都會藝術博物館名譽教授）「多希望我小時候就有這本書！我一直希望有一天自己的藝術作品

An exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3 to 7. How does an artist make a sculpture or a

In this book Anthony Jenkins examines seven Victorian playwrights who, despite their own ideals and prejudices and the theatre's conservatism, tried to come to terms with such momentous subjects as womanliness, honour and money. The opening chapter briefly describes the social transformation of theatre during the century and the increasing respectability of actors and playhouses. Subsequent chapters deal with the drama of Edward Bulwer, Tom Robertson, W. S. Gilbert, H. A. Jones, Arthur Pinero, Oscar Wilde and Bernard Shaw. Each of these dramatists sought to create a theatre of ideas according to his own vision of art and society. The plays are examined within the social and political context of the Reform Bill, the Revolution of 1848, the Great Exhibition, royal patronage, censorship and copyright, and, above all, the 'Woman Question'. Jenkins combines politics and theatrical history with literary criticism to shed provocative light on the struggle to relate the London theatre to the r

In this book Anthony Jenkins examines seven Victorian playwrights who, despite their own ideals and prejudices and the theatre's conservatism, tried to come to terms with such momentous subjects as womanliness, honour and money. The opening chapter briefly describes the social transformation of theatre during the century and the increasing respectability of actors and playhouses. Subsequent chapters deal with the drama of Edward Bulwer, Tom Robertson, W. S. Gilbert, H. A. Jones, Arthur Pinero, Oscar Wilde and Bernard Shaw. Each of these dramatists sought to create a theatre of ideas according to his own vision of art and society. The plays are examined within the social and political context of the Reform Bill, the Revolution of 1848, the Great Exhibition, royal patronage, censorship and copyright, and, above all, the 'Woman Question'. Jenkins combines politics and theatrical history with literary criticism to shed provocative light on the struggle to relate the London theatre to the r

At the start of the Industrial Revolution, it appeared that most scientific instruments were made and sold in London, but by the time of the Great Exhibition in 1851, a number of provincial firms had