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Charles M. Rosenberg (1)
Edited by Marcia B. Hall (1)
Francis Ames-Lewis (1)
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Cambridge Univ Pr (2)
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Rome—Artistic Centers of the Italian Renaissance
作者:Edited by Marcia B. Hall  出版社:CAMBRIDGE UNIVERSITY PRESS  出版日:2005/04/18 裝訂:平裝
This comprehensive history of the art of Rome studies the architecture, sculpture, painting, and decorative arts of the High Renaissance together in their social, religious, political and economic con
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02-25006600[分機130、131]。
The Court Cities of Northern Italy ─ Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini
作者:Charles M. Rosenberg  出版社:Cambridge Univ Pr  出版日:2010/06/21 裝訂:精裝
This volume examines the painting, sculpture, decorative arts, and architecture produced in nine important court cities of Italy during the course of the fourteenth, fifteenth, and sixteenth centuries. Although each chapter represents a separate study of a particular geographical locale, many common themes emerge. This volume gives a multifaceted consideration of the art created for princes, prelates, confraternities, and civic authorities – works displayed in public squares, private palaces, churches, and town halls. Including six essays specially commissioned that explore the interaction of artists and their civic and/or courtly patrons within the context of prevailing cultural, political, and religious circumstances, The Court Cities of Northern Italy provides a rich supplement to traditional accounts of the artistic heritage of the Italian Renaissance, which has traditionally focused on the Florentine, Venetian, and Roman traditions. The book includes 35 color plates and 221 black
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02-25006600[分機130、131]。
Florence
作者:Francis Ames-Lewis  出版社:Cambridge Univ Pr  出版日:2011/11/14 裝訂:精裝
This volume examines works of art in a variety of media produced in Florence during the period from 1300 to 1600. Chronologically organized, each chapter examines works of art and architecture within the context of the major political, social, economic and cultural events of the period. Patterns of patronage, both secular and religious, that accompanied changes in political authority as power shifted from Republican regimes to rule by the Medici family and back are also assessed. The volume follows the movements and trends that were initiated by Florentine artists beginning with Giotto in the fourteenth century; then followed a century later by Masaccio, Donatello, Brunelleschi and Michelangelo; and finally the achievements of sixteenth-century artists such as Cellini, Bronzino and Vasari. The book is lavishly illustrated in both black and white and color.
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02-25006600[分機130、131]。

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