This Element provides an account of Aristotle on women which combines what is found in his scientific biology with his practical philosophy. Scholars have often debated how these two fields are related. The current study shows that according to Aristotelian biology, women are set up for intelligence and tend to be milder-tempered than men. Thus, women are not curtailed either intellectually or morally by their biology. The biological basis for the rule of men over women is women's lack of spiritedness. Aristotle's Politics must be read with its audience in mind; there is a need to convince men of the importance of avoiding insurrection both in the city and the household. While their spiritedness gives men the upper hand, they are encouraged to listen to the views of free women in order to achieve the best life for all.
A relative change occurs when some item changes a relation. This Element examines how Plato, Aristotle, Stoics and Sextus Empiricus approached relative change. Relative change is puzzling because the following three propositions each seem true but cannot be true together: (1) No relative changes are intrinsic changes; (2) Only intrinsic changes are proper changes; (3) Some relative changes are proper changes. Plato's Theaetetus and Phaedo property relative change. I argue that these dialogues assume relative changes to be intrinsic changes, so denying (1). Aristotle responds differently, by denying (3) that relative change is proper change. The Stoics claimed that some non-intrinsic changes are changes (denying (2)). Finally, I discuss Sextus' argument that relative change shows that there are no relatives at all.
This study of Plato's Phaedo promotes better understanding of its arguments for the soul's immortality by showing how Plato intended them, not as proofs, but as properly dialectical arguments functioning in accordance with the method of hypothesis. Unlike the argument for the soul's immortality in the Phaedrus, which does seem intended as a proof, the Phaedo arguments are proceeding toward the first principles that could serve as the basis for a proof - the most important being an account of the soul's own essential nature. This study attends to the substantial progress the Phaedo makes toward such an account. It also considers Socrates' epistemic situation in the dialogue and the problem of whether his confidence in the face of death is misplaced if his arguments have not been proofs before considering how the concluding myth draws together several of the dialogue's main themes.
This Element defends an interpretation of Plato's Ion on which its primary concern is with audience reception of poetry. The dialogue countenances and rejects two models of poetic reception, the expertise model and the inspiration model, both of which make the audience entirely passive in relation to poetry; and it presents the character of Ion as a comedic figure, a self-ignorant fool whose foolishness is a function of his passive relation to Homer. In the end, this Element argues that, for Plato, critical engagement is the proper way for audiences to treat poetry. This view holds open the possibility that poetry may express some truths without thereby endorsing the idea that poets are experts who have authoritative knowledge.
