When this book was originally published in 1987, the American feature film had been colonising the world’s imagination for over 75 years and the book studies that experience in Britain, where American
The secrecy in which the British Board of Film Censors enveloped itself until 1948 resulted in a glaring vacuum in British cinematic history. Originally published in 1985, this book filled this import
This text outlines what sociologists need to know of the nature of communication and of mass culture, while also looking in some empirical detail at the workings of the Hollywood community and the psy
The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an i
A polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book.Thirty-seven short chapters work thro
This fascinating study of the genre of swashbuckling films received wide critical acclaim when it was first published in 1977. Jeffrey Richards assesses the contributions to the genre of directors, de
This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female exp
When this book was originally published in 1987, the American feature film had been colonising the world’s imagination for over 75 years and the book studies that experience in Britain, where American
The secrecy in which the British Board of Film Censors enveloped itself until 1948 resulted in a glaring vacuum in British cinematic history. Originally published in 1985, this book filled this import
Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two
Of all the pioneers of the cinema, the Soviet film director Sergei Eisenstein has exerted the most enduring hold on the popular imagination. This book offers a unique portrait of the director based on
This collection of papers examines the evolving relationship between the motion picture industry and television from the 1940s onwards. The institutional and technological histories of the film and TV
This book argues that serious misreadings of Freud and Lacan on sexual difference have characterized prevailing models of psychoanalytic film criticism. In critiquing theories of identification and fe
Since the cinema first began to be taken seriously as an art form, there has been a constant debate on the question: who is the real creator of the film, the writer or the director? This study of
Eisenstein, Pudovkin, Dovzhenko, Vertov: these Soviet film directors are acknowledged to be among the greatest in the history of cinematography. To Eisenstein we owe such films asBattleship Potemkin a
This book analyses the teen film as the rare medium able to represent the otherwise chaotic and conflicting experience of youth. The author focuses on six major issues: alienation, deviance and delinq
Bringing together the work of leading film historians, originally published in 1981, this book illustrates the breadth of methodological approaches adopted by the field and the variety of its interest
Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two
