This is the first work by an important neo-Hegelian German philosopher to be published in English. First published in 1923, it had a notable influence on German thinkers who followed and on American s
Edmund Husserl, founder of the phenomenological movement, is usually read as an idealist in his metaphysics and an instrumentalist in his philosophy of science. In Nature’s Suit, Lee Hardy argues that
?In?The Tenets of Cognitive Existentialism, Dimitri Ginev draws on developments in hermeneutic phenomenology and other programs in hermeneutic philosophy to inform an interpretative approach to scient
Barber (philosophy, St. Louis U.) offers clarification between the systematic philosophies of John McDowell and Robert Brandom, two philosophers associated with the Pittsburgh Neo-Hegelians as well as
Argues that Martin Heidegger's Being and Time (1927) and Alfred North Whitehead's Process and Reality (1929) are aligned in opposing many elements of traditional Western philosophy and exhibit sim
In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work
?From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty
Phenomenology has played a decisive role in the emergence of the discourse of place, now indispensable to many disciplines in the humanities and social sciences, and the contribution of Merleau-Ponty’
Rational Animals: The Teleological Roots of Intentionality offers an original account of the intentionality of human mental states, such as beliefs and desires. The account of intentionality in Ration
Thinking between Deleuze and Merleau-Ponty is the first book-length examination of the relation between these two major thinkers of the twentieth century. Questioning the dominant view that the two ha
Kant's revolution in methodology limited metaphysics to the conditions of possible experience, grounding a new principle of analysis in the synthesis of the productive imagination. Bigger (philosophy,
"Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanaly
In The Crisis of Meaning and the Life-World, Lubica Ucnik examines the existential conflict that formed the focus of Edmund Husserl’s final work, which she argues is very much with us today: how to re
This collection is the first extended investigation of the relation between time and memory in Maurice Merleau-Ponty’s thought as a whole as well as the first to explore in depth the significance of h
From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty,
This collection focuses on the introduction of phenomenology to the United States by the community of scholars who taught and studied at the New School for Social Research from 1954 through 1973. Duri
Transversality is the keyword that permeates the spirit of these thirteen essays spanning almost half a century, from 1965 to 2009. The essays are exploratory and experimental in nature and are meant
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalys
The genesis for this volume was in the bombing of Japan during World War II, where the author, as a young boy, watched the bombers overhead, speculating about the lives of the pilots and their relatio
