A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.
The first book of its kind, Marlowe's Ovid explores and analyzes in depth the relationship between the Elegies-Marlowe's translation of Ovid's Amores-and Marlowe's own dramatic and poetic works. Stapl
Ovid is one of the greatest poets in the Classical tradition and Western literature. This book represents the most comprehensive study to date of his early output as a unified literary production. Firstly, the book proposes new ways of organising this part of Ovid's poetic career, the chronology of which is notoriously difficult to establish. Next, by combining textual criticism with issues relating to manuscript transmission, the book decisively counters arguments levelled against the authenticity of Heroides 15, which consequently allows for a revaluation of Ovid's early output. Furthermore, by focusing on the literary device of allusion, the book stresses the importance of Ovid's single Heroides 1-15 in relationship with his Amores I-III, Ars amatoria I-III and Remedia amoris. Finally, the book identifies three kinds of Ovidian poetics that are found in his early poetry and that point towards the works of myth and exile that followed in his later career.
Shakespeare, National Poet-Playwright is an important book which reassesses Shakespeare as a poet and dramatist. Patrick Cheney contests critical preoccupation with Shakespeare as 'a man of the theatre' by recovering his original standing as an early modern author: he is a working dramatist who composes some of the most extraordinary poems in English. The book accounts for this form of authorship by reconstructing the historical preconditions for its emergence, in England as in Europe, including the building of the commercial theatres and the consolidation of the printing press. Cheney traces the literary origin to Shakespeare's favourite author, Ovid, who wrote the Amores and Metamorphoses alongside the tragedy Medea. Cheney also examines Shakespeare's literary relations with his contemporary authors Edmund Spenser and Christopher Marlowe. The book concentrates on Shakespeare's freestanding poems, but makes frequent reference to the plays, and ranges widely through the work of other R
In the late 1990s and early 2000s Latin American films like Amores perros, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in the world market. B
In the current climate emergency, it is no longer enough for businesses to simply employ environmental strategy typologies focused on 'greening the business' and maintaining the 'business-as-usual' logic. Gregorio Mart璯-de Castro and Javier Amores-Salvad?argue that disruptive business models and solutions are now required, and they propose a new regenerative strategy linking climate science to management studies. The main features of this strategy are: cutting-edge climate science solutions (capturing and utilizing atmospheric carbon dioxide to produce net-zero or net-negative emissions and positive environmental externalities) and a redefined firm purpose under an ecological, ethical and moral paradigm (integrating ecoemotional wealth, environmental performance, systemic socioecological resilience, wider stakeholder management and a very long-term perspective). They demonstrate that, by applying this strategy, companies can not only reduce their negative environmental externalities an
From Amores Perros and Y Tu Mama Tambien, this books delves into the development of Mexican cinema from the intense cultural nationalism of the Mexican Revolution, through the 'Golden Age' of the 1930
Lawrence composed and revised poems from 1905 to 1930, and had collections of poems published from 1913 to 1932. Volume 3 includes his uncollected poems and many early versions; versions in his first two collections, Love Poems and Others and Amores, are published in full. The chronological ordering of uncollected poems and early versions in this volume makes developments in theme and style readily traceable and offers new perspectives on each period of his verse-writing. The perspective offered by the last poems Lawrence wrote in the USA, 'O! Americans!' and 'Change of Life', differs from that of Birds, Beasts and Flowers, for example, and the two last poems that Lawrence composed are prose poems, uncollected in The Last Poems Notebook. All manuscript and notebook verse is freshly transcribed, and all poems are fully annotated and critically edited in this, the fortieth and final volume in The Cambridge Edition of the Works of D. H. Lawrence.
