Partisans and Poets explores the popular poetries which interacted with American political culture during World War I. Studying the interplay between poets, political groups and social transformation, the book draws upon archival materials to explore poetry used by the Woman's Peace Party, the Industrial Workers of the World, the NAACP, and The Vigilantes, a patriotic writers' syndicate. Van Wienen describes how poetry in mainstream newspapers and major-press anthologies bolstered dominant, nationalist ideologies, and demonstrates how pacifist and socialist verse mobilised minority groups contending for hegemonic power. While recovering the work of several forgotten modern poets - women, blacks, pacifists, patriots, and radicals - the book asserts that wartime poetry engaged in complex negotiations with specific and often dangerous political and historical circumstances.
Partisans and Poets explores the popular poetries which interacted with American political culture during World War I. Studying the interplay between poets, political groups and social transformation, the book draws upon archival materials to explore poetry used by the Woman's Peace Party, the Industrial Workers of the World, the NAACP, and The Vigilantes, a patriotic writers' syndicate. Van Wienen describes how poetry in mainstream newspapers and major-press anthologies bolstered dominant, nationalist ideologies, and demonstrates how pacifist and socialist verse mobilised minority groups contending for hegemonic power. While recovering the work of several forgotten modern poets - women, blacks, pacifists, patriots, and radicals - the book asserts that wartime poetry engaged in complex negotiations with specific and often dangerous political and historical circumstances.
This study explores France's preoccupation with memories of the Second World War through an examination of popular culture and one of its more enduring forms: crime fiction. It examines what such popu
Cultural Resistance, 9/11, and the War on Terror: Sensible Interventions offers a fresh account of the enduring cultural legacies of the September 11, 2001 terror attacks and the global war on terror
The Cold War was perhaps the most critical and defining aspect of American culture from the late 1940s until the early 1990s, influencing popular culture products ranging from television to music to f
Contrary to popular belief, Australians don’t walk upside down, and there are perfectly valid reasons why the cricket team looks like it’s wearing war paint. But without this book, you won’t know what
To Hasten the Homecoming is an important cultural history of the American home front during World War II, which examines how popular culture reinforced patriotic sentiments and united an innocent coun
Examines the social, political and popular culture of America in the period between VJ Day and the start of the Korean War, discussing the country's anxieties and insecurities at the onset of the Red
America’s Changing Icons examines nationalism and gendered national roles via the lens of popular culture, to explore the discursive and at times chaotic ways American society interprets itself.
Cricket and Broadcasting explores how the significance of radio and television to cricket in England has grown since the beginnings of broadcasting. Since the Second World War cricket has been increas
King Farouk of Egypt was known for his extravagant lifestyle and colourful private life, immortalised in the newspaper gossip columns, comedy sketches, song lyrics and novels of post-war Britain. Stories of his excessive life captivated the British imperial officials entangled in the era of decolonization and the wider British public became intrigued by this larger-than-life character. This book explores the narratives and representations of King Farouk found in British official and popular culture which transcended the distinction between politics and celebrity, ‘Orient’ and Europe, imperial and post-imperial worlds. Exploring Farouk as both a political and cultural figure, Francis considers diplomatic history in tandem with histories of popular culture and celebrity to study British culture during the era of decolonization in a more holistic way. Through Farouk, Francis reveals that the varied cultural and social features of post-war Britain and the reconstitution of British identity
Youth and Rock in the Soviet Bloc explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. Drawing from recent theories on youth subcultures, th
Probing the effect of the Vietnam War on the American self-image, the author uses popular culture, literature, and film to study how the myths and symbols of the war reflected the politics of American
Evelyn Baring, 1st Earl of Cromer (1841–1917), was a British statesman and colonial administrator. After a successful career in the War Office he was appointed the Controller General of Egypt in 1879. After the 1882 Anglo-Egyptian War, Baring became Consul General of Egypt, a position he held until 1907 when he resigned due to ill health. During his retirement, he maintained his interest in politics and contemporary culture. This volume, first published in 1913, contains a collection of articles written for magazines such as the Edinburgh Review and the Spectator between 1908 and 1913, on the topics of contemporary politics and literary culture. Baring discusses various subjects including Army reform, the contemporary systems of colonial government, and the future of Classics in education and historiography. This volume provides information on Edwardian views of imperialism, and also illustrates the types of popular articles which were published during this period.
The fourteen essays in this volume look at both the theory and practice of monarchial governments from the Thirty Years War up until die time of the French Revolution, Contellebutors aim to unraved th
John Fraser explores a paradox about the USA: that a country dedicated to rationality, progress, equality and success has always had a strong attachment to the medieval ideas of nobility and chivalry and the high toned violence that goes with them. The strange consequences of this attachment spread deep into US history and politics: They were at the heart of the Civil War but also give a flavour to domestic politics, especially industrial relations. They also sound a special note in American fiction, from Twain to The Great Gatsby and beyond and in the whole of popular culture, especially the movies. This aspect of the American spirit is one of the many admirable things about this country and Fraser has written a book that will move its readers as well as instruct, enlighten and amuse them.
Britain's domestic intelligence agencies maintained secret records on many left-wing writers after the First World War. Drawing on recently declassified material from 1930 to 1960, this revealing study examines how leading figures in Britain's literary scene fell under MI5 and Special Branch surveillance, and the surprising extent to which writers became willing participants in the world of covert intelligence and propaganda. Chapters devoted to W. H. Auden and his associates, theatre pioneers Ewan MacColl and Joan Littlewood, George Orwell and others describe methods used by MI5 to gather information through and about the cultural world. The book also investigates how these covert agencies assessed the political influence of such writers, providing scholars and students of twentieth-century British literature with an unprecedented account of clandestine operations in popular culture.
The Unfinished Revolution compares the post-Second World War histories of the American and British gay and lesbian movements with an eye toward understanding how distinct political institutional environments affect the development, strategies, goals, and outcomes of a social movement. Stephen M. Engel utilizes an electic mix of source materials ranging from the theories of Mancur Olson and Michel Foucault to Supreme Court rulings and film and television dialogue. The two case study chapters function as brief historical sketches to elucidate further the conclusions on theory and whilst being politically-oriented, they also examine gay influence and expansion into mainstream popular culture. The book also includes an appendix that surveys and assesses the analytical potential of five critical understandings of social movements: the classical approach, rational choice, resource mobilization, new social movement theories, and political opportunity structures. It will be of value to academi
