Dialogue was a pivotal genre for the spread of Enlightenment ideas. Focusing on non-canonical British writers Wallbank examines the evolution of dialogue as a genre during the Romantic period.
The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this
Lucas Malet is one of a number of forgotten female writers whose work bridges the gap between George Eliot and Virginia Woolf. Malet’s writing was intrinsically linked to her passion for art. This is
The National Theatre asked four of the country's most exciting writers to investigate. The team spent six months interviewing key individuals from the worlds of science, politics, business and philoso
With passion, clarity, and rich examples, Reclaiming Writing is dedicated to reawakening the journeys that writers take as they make sense of, think about, and speak back to their worlds in this era o
After World War I, American, Irish and then Caribbean writers boldly remade the world literary system long dominated by Paris and London. Responding to literary renaissances and social upheavals in their own countries and to the decline of war-devastated Europe, émigré and domestic-based writers produced dazzling new works that challenged London's or Paris's authority to fix and determine literary value. In so doing, they propounded new conceptions of aesthetic accomplishment that were later codified as 'modernism'. However, after World War II, an assertive American literary establishment repurposed literary modernism to boost the cultural prestige of the United States in the Cold War and to contest Soviet conceptions of 'world literature'. Here, in accomplished readings of major works and essays by Henry James, Ezra Pound, W. B. Yeats, T. S. Eliot, James Joyce, F. Scott Fitzgerald, Eugene O'Neill and Derek Walcott, Joe Cleary situates Anglophone modernism in terms of the rise and fall o
The Theatre of Christopher Durang considers the works of one of the foremost comedic writers for the American stage. From Durang’s early success with the controversial Sister Mary Ignatius Explains
The search for immediacy, the desire to feel directly connected to people or events, has been a driving force in American literature and media culture for the past two centuries. This book offers the first in-depth study of literary immediacy effects. It shows how the heightened reality effects of photography, film, and television inspired American writers to create new literary forms that would enhance their readers' sense of immediate participation in the world. The study combines close readings of Emerson, Whitman, Stein, Dos Passos, Coover, Foster Wallace, and DeLillo with detailed considerations of visual media to open up a new perspective on literary innovation and the ongoing cultural quest for increased immediacy. It argues that we can better understand how American literature develops when we consider experiments with literary form not only in literary and cultural contexts but also in relation to the emergence of new media, their immediacy effects, and the larger changes in s
Exploring the 'Nahda', a cultural renaissance in the Arab world responding to massive social change, this study presents a crucial and often overlooked part of the Arab world's encounter with global capitalist modernity, an interaction which reshaped the Middle East over the course of the long nineteenth century. Seeing themselves as part of an expanding capitalist civilization, Arab intellectuals approached the changing world of the mid-nineteenth century with confidence and optimism, imagining utopian futures for their own civilizing projects. By analyzing the works of crucial writers of the period, including Butrus al-Bustani and Rifa'a al-Tahtawi, alongside lesser-known figures such as the prolific journalist Khalil al-Khuri and the utopian visionary Fransis Marrash of Aleppo, Peter Hill places these visions within the context of their local class- and state-building projects in Ottoman Syria and Egypt, which themselves formed part of a global age of capital. By illuminating this l
Ivor Armstrong Richards was one of the founders of modern literary criticism. He enthused a generation of writers and readers and was an influential supporter of the young T.S. Eliot.Principles of Lit
A History of the Literature of the U.S. South provides scholars with a dynamic and heterogeneous examination of southern writing from John Smith to Natasha Trethewey. Eschewing a master narrative limited to predictable authors and titles, the anthology adopts a variegated approach that emphasizes the cultural and political tensions crucial to the making of this regional literature. Certain chapters focus on major white writers (e.g., Thomas Jefferson, William Faulkner, the Agrarians, Cormac McCarthy), but a substantial portion of the work foregrounds the achievements of African American writers like Frederick Douglass, Zora Neale Hurston, and Sarah Wright to address the multiracial and transnational dimensions of this literary formation. Theoretically informed and historically aware, the volume's contributors collectively demonstrate how southern literature constitutes an aesthetic, cultural and political field that richly repays examination from a variety of critical perspectives.
The influence of Nazism on German culture was a key concern for many Anglo-American writers, who struggled to reconcile the many contributions of Germany to European civilization, with the barbarity o
Most studies on violence in the Hebrew Bible focus on the question of how modern readers should approach the problem. But they fail to ask how the Hebrew Bible thinks about that problem in the first place. In this work, Matthew J. Lynch examines four key ways that writers of the Hebrew Bible conceptualize and critique acts of violence: violence as an ecological problem; violence as a moral problem; violence as a judicial problem; violence as a purity problem. These four 'grammars of violence' help us interpret crucial biblical texts where violence plays a lead role, like Genesis 4-9. Lynch's volume also offers readers ways to examine cultural continuity and the distinctiveness of biblical conceptions of violence.
Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations. Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens. Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and
The years between 1880 and 1940 were a time of unprecedented literary production and political upheaval in Ireland. It is the era of the 1916 Easter Rising, the Irish Revival, and a time when many major Irish writers - Yeats, Joyce, Beckett, Lady Gregory - profoundly impacted Irish and World Literature. Recent research has uncovered new archives of previously neglected texts and authors. Organized according to multiple categories, ranging from single author to genre and theme, this volume allows readers to imagine multiple ways of re-mapping this crucial period. The book incorporates different, even competing, approaches and interpretations to reflect emerging trends and current debates in contemporary scholarship. As ongoing research in the field of Irish studies discovers new materials and critical strategies for interpreting them, our sense of Irish literary history during this period is constantly shifting. This volume seeks to capture the richness and complexity of the years 1880-
Ireland's experience in the nineteenth century was quite different from that of Victorian Britain. Its fictions were written in differing forms – like the gothic or historical novel – and its poetry and drama were populated with ballad and song. Its writers were by turns nationalist or unionist, anglophile or de-anglicising. If the effects of famine and emigration were catastrophic for mid-nineteenth-century Irish culture, they initiated a literary story that spread across the diaspora. Despite the decline of spoken Irish, literature continued to be published, while scholarly endeavours such as translation or the Ordnance Survey preserved much from the Gaelic past. This rich volume examines the many forms of new writing that thrived throughout this period. Utilizing a thematic and historical approach, it addresses a broad anglophone readership in Victorian literature. Essays consider the Irish authors in America and India, women's writing, and the resilience of Irish literature before
Irish Children’s Literature and Culture looks critically at Irish writing for children from the 1980s to the present, examining the work of many writers and illustrators and engaging with major genres
This volume explores the genre of the historical novel and the variety of ways in which writers choose to represent the past. How does an author’s nationality or gender impact their artistic choices?
Jewish and Christian apocalypses have captivated theologians, writers, artists, and the general public for centuries, and have had a profound influence on world history from their initial production by persecuted Jews during the second century BCE, to the birth of Christianity - through the demise of the Western Roman Empire and the medieval period, and continuing into modernity. Far from being an outlier concern, or an academic one that may be relegated to the dustbin of history, apocalyptic thinking is ubiquitous and continues to inform nearly all aspects of modern-day life. It addresses universal human concerns: the search for identity and belonging, speculation about the future, and (for some) a blueprint that provides meaning and structure to a seemingly chaotic world. The Cambridge Companion to Apocalyptic Literature brings together a field of leading experts to provide a comprehensive overview of the subject.
