The Iliad has had a far-reaching impact on Western literature and culture, inspiring writers, artists and classical composers across the ages. Part of the Macmillan Collector’s Library; a series of st
With an Introduction and Notes by Adam Roberts, Royal Holloway, University of London. The product of more than a decade's continuous work (1598-1611), Chapman's translation of Homer's great poem of wa
′Clanless, lawless, homeless is he who is in love with civil war, that brutal ferocious thing.′The epic poem The Iliad begins nine years after the beginning of the Trojan War and describes the great w
Translated by George Chapman, with Introductions by Jan Parker. Hector bidding farewell to his wife and baby son, Odysseus bound to the mast listening to the Sirens, Penelope at the loom, Achilles dra
HarperCollins is proud to present its incredible range of best-loved, essential classics. When Paris falls in love with legendary beauty Helen of Troy, the devastating effects of their affair on their
From the Booker Prize-winning author of the Regeneration trilogy comes a brave and masterful retelling of The Iliad, as experienced by the captured women living in the Greek camp in the final weeks of the Trojan War.The ancient city of Troy has withstood a decade under siege of the powerful Greek army, who continue to wage bloody war over a stolen woman--Helen. In the Greek camp, another woman watches and waits for the war's outcome: Briseis. She was queen of one of Troy's neighboring kingdoms, until Achilles, Greece's greatest warrior, sacked her city and murdered her husband and brothers. Briseis becomes Achilles's concubine and must adjust quickly in order to survive a radically different life. When Agamemnon, the brutal political leader of the Greek forces, demands Briseis for himself, she finds herself caught between the two most powerful of the Greeks. Keenly observant and cooly unflinching about the daily horrors of war, Briseis finds herself in an unprecedented position to obse
Sing of rage, Goddess, that bane of Akhilleus,Peleus' son, which caused untold pain for Akhaians,sent down throngs of powerful spirits to Aides, war-chiefs rendered the prize of dogs and everysort of
War, glory, despair, and mourning: for 2,700 years, the Iliad has gripped listeners and readers with the story of Achilles' anger and Hector's death. It is a tale of many truths, speaking of powerful
One of The New Yorker’s Favorite Books of 2 011 Tolstoy called the Iliad a miracle; Goethe said that it always thrust him into a state of astonishment. Homer’s story is thrilling, and his Greek is per
An Iliad for the twenty-first century, this magnificent new translation by Stephen Mitchell sets the highest standards for beauty, accuracy, and aliveness.The power and the beauty of The Iliad resound
Sing of rage, Goddess, that bane of Akhilleus,Peleus' son, which caused untold pain for Akhaians,sent down throngs of powerful spirits to Aides, war-chiefs rendered the prize of dogs and everysort of
"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers.This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book.The result is
"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold stand
