Eighteenth-Century Brechtians looks at stage satires by John Gay, Henry Fielding, George Farquhar, Charlotte Charke, David Garrick and their contemporaries through the lens of Brecht’s theory an
Forms of Conflict questions how dramatists have responded aesthetically to the changing nature of conflict, focusing on plays written and performed around or after the September 11 terrorist attacks.
Forms of Conflict questions how dramatists have responded aesthetically to the changing nature of conflict, focusing on plays written and performed around or after the September 11 terrorist attacks.
The Theatre du Grand-Guignol in Paris, which opened in 1897 and closed officially in 1962, specialized in often graphic horror theater. Over the past fifteen years, authors Richard J. Hand and Michael
The Theatre du Grand-Guignol in Paris, which opened in 1897 and closed officially in 1962, specialized in often graphic horror theater. Over the past fifteen years, authors Richard J. Hand and Michael
These essays explore aspects of historical performance in ancient Greece, linking its significance to wider reflections on cultural theory from around the world and on performance in the contemporary
This book brings together a wide range of critical voices - practitioners and researchers active in the field over thirty years in Britain, Europe and the USA - to offer significant insights into Brit
British South Asian theater has been one of the most significant features of diasporic artistic activity throughout the world in the last thirty years, yet its remarkable achievements have been lar
This volume is the third part of Steve Nicholson’s four-volume analysis of British theater censorship from 1900 until 1968, based on previously undocumented materials from the Lord Chamberlain&
British South Asian theater has been one of the most significant features of diasporic artistic activity throughout the world in the last thirty years, yet its remarkable achievements have been largel
In 1913, the year in which the Romanovs celebrated their tercentenary, the premieres of two revolutionary theatrical events brought Russian artists to the forefront of the European avant-garde. With i
In Comes I explores performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions into the agricultural
British Theatre and the Red Peril examines how communism was portrayed in plays in the British theatre between 1917 and 1945, and how at a time when the capitalist system seemed on the verge of collap
London’s Grand Guignol—a macabre theatre of naturalistic horror—was established in the early 1920s at the Little Theatre in the West End. Taking its cue from Le Théâtre du
The Théâtre du Grand-Guignol in Paris (1897-1962) achieved a legendary reputation as the 'Theatre of Horror,' a venue displaying such explicit violence and blood-curdling terror that a resi
Essays explore the world of Michael of Rhodes, examining the historical context, thediscovery of his manuscript, and Michael's knowledge of mathematics, shipbuilding, navigation, andother topics.
