This 1920 vocal score is from a three-act opera that dramatizes a young widower's obsession with his late wife. An appendix provides an English translation of the original German libretto.
(Vocal Score). This was the fifth and last opera Rossini composed for Teatro alla Scala, premiered in 1819. Includes introductory articles on the history of the opera, and critical notes. Vocal score
(Vocal Score). Music from Wonderful Town has been out of print for more than 40 years, so we are very proud to present this new edition of the brilliant musical comedy currently running in an acclai
(Opera). This famous trilogy of Puccini one-act operas, Il tabarro , Suor Angelica and Gianni Schicchi , now appears in one complete opera vocal score.
(Opera). This famous trilogy of Puccini one-act operas, Il tabarro , Suor Angelica and Gianni Schicchi , now appears in one complete opera vocal score.
(Vocal Score). Complete vocal score featuring 26 songs, including: Glad to Be Unhappy * It's Got to Be Love * On Your Toes * Quiet Night * Slaughter on Tenth Avenue * There's a Small Hotel * Too Good
(Vocal Score). Complete vocal score to the 1955 musical with 22 pieces in all: All at Once You Love Her * All Kinds of People * Everybody's Got a Home but Me * How Long * The Man I Used to Be * Suzy I
Vocal score with 15 complete tracks from one of musical theatre's masterpieces. Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Goin
inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and
(Vocal Score). The complete vocal score to Rodgers and Hammerstein's third musical. 26 songs, including: Come Home * A Fellow Needs a Girl * The Gentleman Is a Dope * I Know It Can Happen Again * Mone
(Vocal Score). Vocal score with 16 piano/vocal arrangements, including: Beautician Ballet * Bored * Celebration * Fifty Mill Years Ago * I'm Glad 2 See U Got What U Want * It's U Who Makes Me Young *
(Vocal Score). Complete vocal score to the only Richard Rodgers and Stephen Sondheim collaboration. 17 songs, including: Do I Hear a Waltz? * Here We Are Again * Moon in My Window * Perfectly Lovely C
(Vocal Score). Complete vocal score to the 1970 musical starring Danny Kaye. Songs include: As Far As I'm Concerned * The Covenant * Hey, Girlie * I Do Not Know a Day I Did Not Love You * Ninety Again
(Vocal Score). Vocal score from the Cy Coleman Broadway musical with 15 songs: Dancing on My Tippy Tippy Toes * Give a Little Whistle and I'll Be There * Hey, Look Me Over * One Day We Dance * What Ta
(Vocal Score). The complete vocal score to Rodgers and Hart's musical adaptation of Shakespeare's A Comedy of Errors Includes 16 songs, including: Boys from Syracruse * Come with Me * Falling in Lov
(Vocal Score). Vocal score to the Rodgers and Hammerstein musical with 17 numbers, including: Boys and Girls like You and Me * Do I Love You Because You're Beautiful? * Gavotte * In My Own Little Corn
The complete vocal score to the Broadway standard with 19 songs, including: Everything's Coming up Roses * If Momma Was Married * Let Me Entertain You * Rose's Turn * Together Wherever We Go * You'll
13 selections from one of the most popular musicals ever. Includes: All Good Gifts * Bless the Lord * By My Side * Day by Day * Prepare Ye (The Way of the Lord) * and more.
(Vocal Score). The oratorio La Fenice sul rogo ovvero la morte di San Giuseppe can rightly be considered the debut of Pergolesi's career as a composer: composed in the early months of 1731 the oratori
Praised by The New York Times as gently imbued with ragtime, but aspiring "to genuine operatic richness," Scott Joplin's energetic opera tells of a confident young woman whose life, in many respects,
This sparkling masterpiece, one of the finest musical efforts by the celebrated "Waltz King," premiered to instant acclaim on the Viennese stage in 1874. A standard of the repertoire, it is frequentl
Giovanna d’Arco (Joan of Arc), Verdi’s seventh opera, premiered at La Scala in 1845 to great public success despite sub-par production standards, and modern performances have swept away both audiences
