Alison Findlay

This is a comprehensive reference guide examining the language employed by Shakespeare to represent women in the full range of his poetry and plays. Including over 350 entries, Alison Findlay shows th

Much Ado About Nothing shows the violence of desire as well as its drive towards creative plotting or matchmaking. In this Handbook, Alison Findlay examines the play's comic and tragic potential in th

Women in Shakespeare: A Dictionary is a comprehensive reference guide to Shakespeare and women. An A-Z of over 350 entries explores the role of women within Shakes

Drawing on a rage of play texts, this book shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. It considers bastards as indicators and instigator

From the Abbess of Barking to Aphra Behn, women manipulated dramatic venues and settings to re-negotiate their place in society. This study examines the playing spaces for early modern women's drama and how women played with space in scripts and performances. Using selected texts from 1376 to 1705, Findlay shows how their drama operated in five key sites: homes, gardens, courts, convents and cities. Aristocratic houses, country estates and city streets are theatrically reconfigured as homes, empty shells and arenas of possibility. Courtly venues reveal queens as adept producers in the royal theatres of power, while convents and academies are playing spaces to explore the possibilities of female company. This book sketches theatre histories on to what is often a blank space, investigating the rich inter-textuality of spatial practices to provide a richer understanding of how early women's drama works.

From the Abbess of Barking to Aphra Behn, women manipulated dramatic venues and settings to re-negotiate their place in society. This study examines the playing spaces for early modern women's drama and how women played with space in scripts and performances. Using selected texts from 1376 to 1705, Findlay shows how their drama operated in five key sites: homes, gardens, courts, convents and cities. Aristocratic houses, country estates and city streets are theatrically reconfigured as homes, empty shells and arenas of possibility. Courtly venues reveal queens as adept producers in the royal theatres of power, while convents and academies are playing spaces to explore the possibilities of female company. This book sketches theatre histories on to what is often a blank space, investigating the rich inter-textuality of spatial practices to provide a richer understanding of how early women's drama works.

Twelfth Night is the most mature and fully developed of Shakespeare's comedies and, as well as being one of his most popular plays, represents a crucial moment in the development of his art. Assembled

This book seeks to invert Ben Jonson's claim that Shakespeare had 'small Latin and less Greek' and to prove that, in fact, there is more Greek and less Latin in a significant group of Shakespeare's te

This book seeks to invert Ben Jonson's claim that Shakespeare had 'small Latin and less Greek' and to prove that, in fact, there is more Greek and less Latin in a significant group of Shakespeare's te

Twelfth Night is the most mature and fully developed of Shakespeare's comedies and, as well as being one of his most popular plays, represents a crucial moment in the development of his art. Assembled

Hang out with a scholar of Shakespeare for any longer than it takes to sit down in a couple of comfy chairs and you will hear at least a few snippets of the debate about whether he was a practicing Ca

Forker's critical edition fills the need for a fully annotated, historically contextualised and modernised text of the most important Elizabethan chronicle play apart from Shakespeare and Marlowe's Ed

本書的主題為“國際語言學習”（International LanguageLearning），共包括12篇文章，所分析的有關語言學習的案例橫跨多個國家和地區，所涉及的方法，對中國國際漢語教學有很大的啟發和借鑒意義，值得國內學者研究參考。

本書為專業性評論。每年圍繞一個語言學專題展開，本書對教育技術手段的歷史進行了回顧，並對當前的研究現狀及方法進行了綜合性評價，指出了研究中的優點和不足，並對未來的研究方向和研究中可能出現的問題提出了前瞻性看法，值得國內學者學習借鑒。此項目為原版英文的影印，英文中可改動之處不多。商務印書館在原有基礎上，又增加了中文的總序和導讀，其中，導讀對文章的核心內容進行了詳細解讀，並對國內的相關情況做了對比性介紹，在降低原文理解的難度的同時，又拓展了原著的專業內容，進一步方便了國內學習者閱讀學習。

We know that women made up a significant part of Renaissance theatre audiences but how might they have read the plays presented there?