The author examines the music of jazz pianist John Lewis, arguing that his third stream style does not put him outside of “real” black music or mean that he abandoned African American culture. Rath
For critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. In John Lewis and the Challenge of “Real” Black Music, Christopher Coady explores
A pebble doesn't look like much--until you know where it's beenA fascinating history of the earth takes readers on a scientific adventure through time and across the globe, all by following a single p
