From celebrated poet Christopher Howell, Love’s Last Number is a series of musings on time’s arrow: on both the relentless march that divides each moment into past, present, and future ? before and af
Dreamless and Possible chronicles Christopher Howell's wide range of interests across three decades of distinguished work, expressed by blending elements of the surreal with biography, imagist economy
The counterpointed and imagistic work collected in Gaze reveals a poet uniquely concerned with the idea of vision: how the objective world (the world of time and memory), the world of the inner life,
"For nearly four decades Christopher Howell has so ably been marrying the miraculous to the mundane; the invisible world to the here-before-our-eyes; the wacky to the expectable; the meditative to the
Each of us early in life has an imaginary friend, one we makeup, that no religion has invented first. It is a pleasure, not a strain, to believe in Christopher Howell's Ling Wei-this shared friend of
The anthology contains work from former Washington State Poet Laureate Kathleen Flenniken, two-time Pushcart Prize winner Ellen Bass, as well as Spokane poets Maya Zeller, Tim Greenup, and others. Thi
Poetry. In this remarkable anthology of poems about Weldon Kees or inspired by Weldon Kees—each accompanied by a statement by the poet regarding Kees's influence, magic, and power over the imagination
