Ruby

"If I really wanted to open up, I'd confess that I really am the liar everyone believes I am." Everyone thinks Tola Riley is crazy. Everyone except Mr. Mymer, her art teacher. He doesn't care about

Oxford Reading Tree: Fireflies (Non-Fiction): Level 4 (Age 5 - 5½)This book is part of the Oxford Reading Tree Fireflies series which offer a wide range of stimulating non-fiction titles for young chi

Oxford Reading Tree: Fireflies (Non-Fiction): Level 1+ (Age 4½ - 5)This book is part of the Oxford Reading Tree Fireflies series which offer a wide range of stimulating non-fiction titles for young ch

Gripping, suspenseful, magical, and richly atmospheric . . . Ilie Ruby's haunting debut novel, The Language of Trees, is exhilarating fiction that announces the arrival of a truly extraordinary storyt

This book is designed as a woman's Bible study book which examines twelve significant signs of God. In each sign a woman was an integral part of God's plan to make the sign a reality. Sign of the Serp

In 1960, six-year-old Ruby Bridges walked through an angry crowd and into a school where she changed history.This is the true story of an extraordinary little girl who helped shape our country when sh

Eddy knows how to play the game of love. He has all the tricks down cold, and his favorite girls are the ones with cherry lipstick and long legs in fishnets. They know he doesn?t make any promises. Bu

"If I really wanted to open up, I'd confess that I really am the liar everyone believes I am." High-school junior Tola Riley has green hair, a nose ring, an attitude problem, and a fondness for fairy

LilaWhen thirteen-year-old Lila and her family visit Laurel Oaks Plantation in Louisiana, her parents and brother scoff at the claim that the house is haunted. Lila isn’t so ready to dismiss the idea.

That’s Why We Don’t Eat Animals uses colorful artwork and lively text to introduce vegetarianism and veganism to early readers (ages six to ten). Written and illustrated by Ruby Roth, the book featu

Ruby Cohn assumes realism to be the dominant mode in English theatre since 1956, the year of John Osbourne's Look Back in Anger. She argues, however, that the most provocative plays of the last few decades have departed from realism and she traces certain patterns of departure which are familiar in the long tradition of English drama. The patterns, which form the chapters of the book, include the theme of England as dramatic metaphor, modernisations or adaptations of Shakespeare, stage verse, theatre within theatre, explorations of madness, dreams, ghosts and the reviewing of history through a contemporary lens. Among the playwrights who avail themselves of these devices are John Arden, Edward Bond, Howard Brenton, Caryl Churchill, David Edgar, Pam Gems, Christopher Hampton, David Hare, Peter Nichols, Tom Stoppard, David Storey, Heathcote Williams and Charles Wood.

Oxford Reading Tree: Fireflies (Non-Fiction): Level 4 (Age 5 - 5½)This book is part of the Oxford Reading Tree Fireflies series which offer a wide range of stimulating non-fiction titles for young chi

Some people would say this is the story of a photograph. How it was taken and what happened to me after the whole world saw it. And it is. But it's also the story of a lot of other things. So look a

The provocative notion of a contemporary cross-cultural exchange within the medium of theatre is here imposed upon a dozen contemporary Anglo-American dramatists: Alan Ayckbourn and Neil Simon, Edward Bond and Sam Shepard, David Mamet and Harold Pinter, Caryl Churchill and Maria Irene Fornès, David Hare and David Rabe, Christopher Hampton and Richard Nelson. In each pairing, Ruby Cohn unites a British with an American playwright, exploring similarities both apparent and embedded - similarities which serve as a springboard for the exposure of a more profound, culturally based difference. A certain transatlantic double focus thus illuminates both the composition and the interpretation of dramatic works in an increasingly globally minded age.

This book attempts to bridge the gulf that still exists between 'literary' and 'philosophical' interpreters of Plato by looking at his use of characterization. Characterization is intrinsic to dramatic form and a concern with human character in an ethical sense pervades the dialogues on the discursive level. Form and content are further reciprocally related through Plato's discursive preoccupation with literary characterization. Two opening chapters examine the methodological issues involved in reading Plato 'as drama' and a set of questions surrounding Greek 'character' words (especially ethos), including ancient Greek views about the influence of dramatic character on an audience. The figure of Sokrates qua Platonic 'hero' also receives preliminary discussion. The remaining chapters offer close readings of select dialogues, chosen to show the wide range of ways in which Plato uses his characters, with special emphasis on the kaleidoscopic figure of Sokrates and on Plato's own relatio

From 1939 to 1945, a Jewish family struggles to survive in occupied China; young Ilse by remaining optimistic, her older brother by joining a resistance movement, her mother by maintaining connections

"The DNA of Healing teaches how to neutralize the negative patterns handed down through our family lineage and reprogram the DNA with positive patterns that manifest health, wellness, and abundance"--

Samuel Beckett is unique in literature. Born and educated in Ireland, he lived most of his life in Paris. His literary output was rendered in either English or French, and he often translated one to

In a fascinating and innovative study, first published in 2005, Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic world of seclusion and sexual exploitation, the author reveals a complex society where noble men and women negotiated their everyday life and public-political affairs in the 'inner' chambers as well as the 'outer' courts. Using Ottoman and Safavid histories as a counterpoint, she demonstrates the richness, ambiguity and particularity of the Mughal haram, which was pivotal in the transition to institutionalisation and imperial excellence.

Ruby Lal explores domestic life and the place of women in the Mughal court of the sixteenth century. Challenging traditional, orientalist interpretations of the haram that have portrayed a domestic wo

This book attempts to bridge the gulf that still exists between 'literary' and 'philosophical' interpreters of Plato by looking at his use of characterization. Characterization is intrinsic to dramatic form and a concern with human character in an ethical sense pervades the dialogues on the discursive level. Form and content are further reciprocally related through Plato's discursive preoccupation with literary characterization. Two opening chapters examine the methodological issues involved in reading Plato 'as drama' and a set of questions surrounding Greek 'character' words (especially ethos), including ancient Greek views about the influence of dramatic character on an audience. The figure of Sokrates qua Platonic 'hero' also receives preliminary discussion. The remaining chapters offer close readings of select dialogues, chosen to show the wide range of ways in which Plato uses his characters, with special emphasis on the kaleidoscopic figure of Sokrates and on Plato's own relatio

Dana investigates a mystery involving the old Kansas house that her parents have turned into a bed and breakfast business; in a parallel story, a Quaker boy living in the house in 1857 sets out to hel

Samuel Beckett is unique in literature. Born and educated in Ireland, he lived most of his life in Paris. His literary output was rendered in either English or French, and he often translated one to