Ruby Cohn

Ruby Cohn assumes realism to be the dominant mode in English theatre since 1956, the year of John Osbourne's Look Back in Anger. She argues, however, that the most provocative plays of the last few decades have departed from realism and she traces certain patterns of departure which are familiar in the long tradition of English drama. The patterns, which form the chapters of the book, include the theme of England as dramatic metaphor, modernisations or adaptations of Shakespeare, stage verse, theatre within theatre, explorations of madness, dreams, ghosts and the reviewing of history through a contemporary lens. Among the playwrights who avail themselves of these devices are John Arden, Edward Bond, Howard Brenton, Caryl Churchill, David Edgar, Pam Gems, Christopher Hampton, David Hare, Peter Nichols, Tom Stoppard, David Storey, Heathcote Williams and Charles Wood.

The provocative notion of a contemporary cross-cultural exchange within the medium of theatre is here imposed upon a dozen contemporary Anglo-American dramatists: Alan Ayckbourn and Neil Simon, Edward Bond and Sam Shepard, David Mamet and Harold Pinter, Caryl Churchill and Maria Irene Fornès, David Hare and David Rabe, Christopher Hampton and Richard Nelson. In each pairing, Ruby Cohn unites a British with an American playwright, exploring similarities both apparent and embedded - similarities which serve as a springboard for the exposure of a more profound, culturally based difference. A certain transatlantic double focus thus illuminates both the composition and the interpretation of dramatic works in an increasingly globally minded age.

Samuel Beckett is unique in literature. Born and educated in Ireland, he lived most of his life in Paris. His literary output was rendered in either English or French, and he often translated one to

Samuel Beckett is unique in literature. Born and educated in Ireland, he lived most of his life in Paris. His literary output was rendered in either English or French, and he often translated one to

The provocative notion of a contemporary cross-cultural exchange within the medium of theatre is here imposed upon a dozen contemporary Anglo-American dramatists: Alan Ayckbourn and Neil Simon, Edward Bond and Sam Shepard, David Mamet and Harold Pinter, Caryl Churchill and Maria Irene Fornès, David Hare and David Rabe, Christopher Hampton and Richard Nelson. In each pairing, Ruby Cohn unites a British with an American playwright, exploring similarities both apparent and embedded - similarities which serve as a springboard for the exposure of a more profound, culturally based difference. A certain transatlantic double focus thus illuminates both the composition and the interpretation of dramatic works in an increasingly globally minded age.

Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless

Renowned Beckett scholar Ruby Cohn has selected some of Beckett's criticisms, reviews, letters, and other unpublished materials that shed new light on his work.

When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms after the Second World War. Around the Absurd is the

This is a contributed book by a group of distinguished international scholars who study gender issues and women's economic power in the developing world. All of the readings are connected to the volum

In this interpretative analysis of the poetry of Rimbaud, Robert Greer Cohn first introduces the reader to the work of Rimbaud and outlines the poet's precocious, meteoric career. He then integrates t

Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless

The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-

In this interpretative analysis of the poetry of Rimbaud, Robert Greer Cohn first introduces the reader to the work of Rimbaud and outlines the poet's precocious, meteoric career. He then integrates t

Shakespeare's plays have never had a larger audience than they do in our time. This wide viewing is complemented by modern scholarship, which has verified and elucidated the plays' texts. Nevertheless

The author ranges through Beckett's drama to analyze his approach to place, time, soliloquy, fiction, and repetition.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-

"Presents a collection of international contributions that complement, as well as critique, dominant conceptualisations of health behaviour"--Provided by publisher.

Where are the women? In traditional historical and scholarly accounts of the making and fighting of wars, women are often nowhere to be seen. With few exceptions, war stories are told as if men were t

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Fundamental to all areas of mathematics, algebra provides the cornerstone for the student's development. The concepts are often intuitive, but some can take years of study to fully absorb. For over t

Fundamental to all areas of mathematics, algebra provides the cornerstone for the student's development. The concepts are often intuitive, but some can take years of study to fully absorb. For over tw