Rosenthal (art history, U. of Illinois, Urbana-Champaign) applies critical and gender theory in a new interpretation of how the Flemish master intertwined themes of intimate and political relationship
In these 13 essays, contributors analyze pictures, sculptures, printed materials and ritual spaces from 1400 to 1800. They address the uses of allegory in the works of Michelangelo, Winckelmann and Ca
