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This penetrating study makes a case for the centrality of the concept of representation (Stellvertretung) in Hans Urs von Balthasar's theological project.How is it possible for Christ to act in the place of humanity? In Hans Urs von Balthasar's Theology of Representation, Jacob Lett broaches this perplexing soteriological question and offers the first book-length analysis of Balthasar's theology of representation (Stellvertretung). Lett's study shows how Balthasar rehabilitates the category of representation by developing it in relationship to the central mysteries of the Christian faith: concerned by the lack of metaphysical and theological foundations for understanding the question above, Balthasar ultimately grounds representation in the trinitarian life of God, making "action in the place of the other" central to divine and creaturely being. Lett not only articulates the centrality of representation to Balthasar's theological project but also demonstrates that Balthasar's theology

Homoerotic Poets of the Italian Trecento explores same-sex desire in the work of three skilled medieval Italian poets, bringing their verse and expression to English readers.Thirteenth- and fourteenth-century Italy produced a wide range of literature, from the courtly love of the Sicilian School, to the spiritualized love of the dolce stil nuovo and Dante, to the comic poetry that flourished with authors such as Cecco Angiolieri and Folgore da San Gimignano. Author Fabian Alfie, through his translations of these poets, shows how this cultural context allowed three medieval Italian poets--Meo dei Tolomei, Cecco Nuccoli, and Marino Ceccoli--to openly discuss their sexual relationships with other men in their own poetic verse. These three poets adapted the languages of comic literature and courtly love to the new topic of homoeroticism. The result is a unique form of poetics that blended traditional expressions with innovative material.While homoerotic subtexts in the canonical works are