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Jatgeir has come from Vaim to the big city, Bjørgvin, on his wooden boat, Eline, named after the long-lost love of his teenage years. He intends to buy a needle and thread to sew a button but he is cheated, twice. That night, while sleeping on his boat, he hears a familiar voice: unexpectedly, it is Eline, who wants to come home to Vaim with him.She leaves a note for her husband Frank, packs her bags and runs away while he is out fishing. Vaim, Jon Fosse’s first novel since he received the 2023 Nobel Prize in Literature, is the story of this triangle, a novel about little boats and big boats, love and death, passive men and an incredibly determined woman. And all, of course, was strange…

One Sunday in Yvetot, August 1950. Annie is playing outside in the sun. Her mother steps out of the grocery to chat with a customer, a few metres from her.The two women’s conversation is perfectly audible; its scraps become etched forever in Annie’s memory. Before she was born, her parents had another daughter. She died at the age of six from diphtheria.Annie will never hear another word from her parents about this unknown sister, nor will she ask them a single question about her: their family unit has formed in the image of its vanished predecessor. In The Other Girl, brilliantly translated for the first time into English by Alison L. Strayer, Annie Ernaux explores the meaning of this family secret, and the insurmountable distance that separates the two sisters.

A woman settles in a remote Polish village. It has few inhabitants, but it teems with the stories of its living and its dead. There’s the drunk Marek Marek, who discovers that he shares his body with a bird, and Franz Frost, whose nightmares come to him from a newly discovered planet.There’s the man whose death – with one leg on the Polish side, one on the Czech – was an international incident. And there are the Germans who still haunt a region that not long ago they called their own. From the founding of the town to the lives of its saints, these shards piece together not only a history but a cosmology.Another brilliant ‘constellation novel’ in the mode of her International Booker Prize-winning Flights, House of Day, House of Night is a brilliantly imaginative epic novel of a small place by Olga Tokarczuk, one of the most daring and ambitious novelists of our time.--------------‘House of Day, House of Night is full of death, destruction and dreams. Written in 1998, and now translated

‘The strangest thing about jealousy is that it can populate an entire city – the whole world – with a person you may never have met.’ These words set the framework for The Possession, a striking portrait of a woman after a love affair has ended. Annie Ernaux pulls the reader through every step of jealousy, of a woman’s need to know who has replaced her in a lost beloved’s life. Ernaux’s writing, characteristically gorgeous in its precision, depicts the all too familiar human tendency to seek control and certainty after rejection.

The Use of Photography recounts a passionate love affair between Annie Ernaux and the journalist and author Marc Marie, after the two met in January 2003. Ernaux had been receiving intensive chemo for breast cancer during the prior three months, and had lost all her hair from the treatments. At the end of January she had surgery, followed by radiation therapy.The affair took place in different locations and Ernaux describes how, shortly after it began, she found herself entranced each morning by the sight of clothes strewn about, chairs out of place and the remains of their last meal of the evening still on the table – and how painful it felt to put things back in order afterwards. She went and got her camera, and began to take photographs of the scenes of disarray. When she told Marc Marie what she had done, he said he had felt the same desire.Translated by Alison L. Strayer into English for the first time, The Use of Photography is an extraordinary meditation on eroticism, photograph

The heroine of the spare and haunting It Lasts Forever and Then It’s Over is voraciously alive in the afterlife. Adrift yet keenly aware, she notes every bizarre detail of her new reality. And even if she has forgotten her name and much of what connects her to her humanity, she remembers with an implacable and nearly unbearable longing the place where she knew herself and was known—where she loved and was loved.Traveling across the landscapes of time and of space, heading always west, and carrying a dead but laconically opinionated crow in her chest, our undead narrator encounters and loses parts of her body and her self in one terrifying, hilarious, and heartbreaking situation after another. A tale for our dispossessed times, and one of the sharpest and funniest novels of recent years, It Lasts Forever and Then It’s Over plumbs mortality and how it changes everything, except possibly love.