香港大學美術博物館

This bilingual exhibition catalogue, A World Within: The Art and Inspiration of Irene Chou, is published on the occasion of Asia Society Hong Kong Center’s eponymous exhibition. The catalogue celebrat

Drawn from the diverse collections of the Ise Foundation, Living Kogei highlights over sixty works by prominent and emerging contemporary Japanese artists―including Living National Treasures whose ski

As a naval officer with the Austro-Hungarian Navy, Dezső Bozóky first departed Hong Kong for Canton in 1908, before travelling to Fujian, Shanghai and Beijing, where he documented the countryside and

Over the past four decades, Hong Kong painter Yeung Tong Lung has explored various techniques and mediums. Since the 1990s, he has worked primarily in oil, and then around 2000 he began to focus on a

Tobias Klein explores applications of 3D printing in architecture, art, design and interactive media installations in order to create a fusion of contemporary CAD/CAM technologies built from natural m

Clouds of Ink, Pools of Colour: Paintings by Hou Beiren explores the splashed ink landscape painting tradition through the work of its foremost contemporary exponent. The California-based Hou Beiren h

Known primarily for his landscapes, Chak paints the forms of the natural world in abstract and poetic ways. After showing internationally―having lived in Japan and the USA for several decades―Chak: La

Prized by Chinese and foreign merchants as an essential commodity along a vast trade network, silk served multiple roles throughout the ancient world: as fabric for garments, as a form of currency and

Prized by Chinese and foreign merchants as an essential commodity along a vast trade network, silk served multiple roles throughout the ancient world: as fabric for garments, as a form of currency and method of tax payment, and as a medium and subject matter for professional artists and the literati class. Over the centuries, silk fabrics have remained synonymous with beauty and are entwined throughout Chinese art and literature. Extending from the Qing dynasty to the mid-20th century, UMAG’s silk textile collection encompasses a diverse range of subjects and formats that include hanging scrolls, framed panels, banners and robes. Each artwork exemplifies the sophisticated craftsmanship of the artisans and the collective stories of the Qing dynasty’s textile industry. 絲綢在龐大的貿易網絡中，一直是備受中外商旅追捧的商品。它在古代世界所扮演的角色極為豐富──絲綢既是一種紡織原料，亦是一種貨幣和用以賦稅之物，更是藝術家和文人的創作媒介和題材。多個世紀以來，絲綢是美的象徵，它與中國藝術和文學緊密交織。香港大學美術博物館所藏清代至二十世紀中葉的中國絲織物，題材豐富，形式多樣，包括立軸、掛屏、幡及龍袍等。每件織物既展現出工匠的鬼斧神工，亦訴說着清代紡織業的種種故事。