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With an Introduction and Notes by Joe Andrew, Professor of Russian Literature, Keele University. Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories

From the celebrated, award-winning translators of Anna Karenina and The Brothers Karamazov a lavish volume of stories by one of the most influential short fiction writers of all time Chekhov's genius left an indelible impact on every literary form in which he wrote, but none more so than short fiction. Now, renowned translators and longtime house authors Richard Pevear and Larissa Volokhonsky give us their peerless renderings of fifty-two Chekhov stories. These stories, which span the full arc of his career, reveal the extraordinary variety and unexpectedness of his work, from the farcically comic to the darkly complex, showing that there is no one type of "Chekhov story." They are populated by a remarkable range of characters who come from all parts of Russia and all walks of life, including landowners, peasants, soldiers, farmers, teachers, students, hunters, shepherds, mistresses, wives, and children. Taken together, they demonstrate how Chekhov democratized the form. Included in th

'Oh, good God,' he kept saying with great relish. 'Good God...''Gooseberries' is accompanied here by 'The Kiss' and 'The Two Volodyas' - three exquisite depictions of love and loss in nineteenth-centu

Anton Chekhov's play Uncle Vanya in a new version by Christopher Hampton. nor does it seem to announce the end of an era, like The Cherry Orchard: all it has is a series of ludicrously bungled attempt

Anton Chekhov wrote that "narrative is my legal wife and drama a flamboyant, rowdy, impudent, exhausting mistress." At a time when the Russian stage was dominated by farces, formulaic melodramas, and