Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new eman
Installation Art provides both a history and a full critical examination of this challenging area of contemporary art, from 1950 to the present day. Using case studies of significant artists and indi
The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects r
