The Return of the Real presents an original reading of art and theory over the last three decades, with special emphasis to the controversial connections between the two. It also rethinks the relatio
Surrealism has long been seen as its founder, Andre Breton,wanted it to be seen: as amovement of love and liberation. In Compulsive Beauty, Foster reads surrealism from its other,darker side: as an ar
Imagining a new self equal to the new art of modernism; primordial and futuristic fictions of origin in the work of Gauguin, Picasso, F. T. Marinetti, Max Ernst, and others.
