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The linguist and philologist Jacob Grimm (1785–1863) is best remembered as co-editor, with his brother Wilhelm, of Grimm's Fairy Tales, though their great Deutsches Wörterbuch remains an influential reference work. Grimm's exhaustive study in comparative mythology and religion, Deutsche Mythologie, was first published in German in 1835: this English translation, published between 1880 and 1888, is of the posthumous fourth German edition of 1875. Drawing on his knowledge of language and world mythology, Grimm outlines a wide variety of themes in Germanic folklore (such as time, creation, destiny and the soul), comparing them to classical and oriental tales as well as charting the influence of Christianity on legends and on Pagan religion. Volume 1 focuses on religion, worship and the portrayal of gods and their powers. Erudite and full of insight, this is an invaluable resource for scholars of mythology and religion as well as of German cultural history.

The linguist and philologist Jacob Grimm (1785–1863) is best remembered as co-editor, with his brother Wilhelm, of Grimm's Fairy Tales, though their great Deutsches Wörterbuch remains an influential reference work. Grimm's exhaustive study in comparative mythology and religion, Deutsche Mythologie, was first published in German in 1835: this English translation, published between 1880 and 1888, is of the posthumous fourth German edition of 1875. Drawing on his broad knowledge of language and world mythology, Grimm outlines a wide variety of themes in Germanic folklore (such as time, creation, destiny and the soul), comparing them to classical and oriental tales as well as charting the influence of Christianity on legends and on Pagan religion. Volume 2 focuses on legendary creatures such as giants, elves, dwarves and sprites. Erudite and full of insight, this is an invaluable resource for scholars of mythology and religion as well as of German cultural history.

The linguist and philologist Jacob Grimm (1785–1863) is best remembered as co-editor, with his brother Wilhelm, of Grimm's Fairy Tales, though their great Deutsches Wörterbuch remains an influential etymological reference work. Grimm's exhaustive study in comparative mythology and religion, Deutsche Mythologie, was first published in German in 1835: this English translation, published between 1880 and 1888, is of the posthumous fourth German edition of 1875. Drawing on his broad knowledge of language and world mythology, Grimm outlines a wide variety of themes in Germanic folklore (such as time, creation, destiny and the soul), comparing them to classical and oriental tales as well as charting the influence of Christianity on legends and on Pagan religion. Volume 3 focuses on the pre-Christian view of evil, and the concept of the devil. Erudite and full of detailed insight, this is a resource for scholars of mythology, religion and German cultural history.

The linguist and philologist Jacob Grimm (1785–1863) is best remembered as co-editor, with his brother Wilhelm, of Grimm's Fairy Tales, though their great Deutsches Wörterbuch remains an influential etymological reference work. Grimm's exhaustive study in comparative mythology and religion, Deutsche Mythologie, was first published in German in 1835: this English translation, published between 1880 and 1888, is of the posthumous fourth German edition of 1875. Drawing on his broad knowledge of language and world mythology, Grimm outlines a wide variety of themes in Germanic folklore (such as time, creation, destiny and the soul), comparing them to classical and oriental tales as well as charting the influence of Christianity on legends and on Pagan religion. Volume 4 contains supplementary material for the previous volumes and three appendices. Erudite and full of insight, this is an invaluable resource for scholars of mythology and religion as well as of German cultural history.

The linguist and philologist Jacob Grimm (1785–1863) is best remembered as co-editor, with his brother Wilhelm, of Grimm's Fairy Tales, though their great Deutsches Wörterbuch remains an influential etymological reference work. Grimm's exhaustive study in comparative mythology and religion, Deutsche Mythologie, was first published in German in 1835: this English translation, published between 1880 and 1888, is of the posthumous fourth German edition of 1875. Drawing on his broad knowledge of language and world mythology, Grimm outlines a wide variety of themes in Germanic folklore (such as time, creation, destiny and the soul), comparing them to classical and oriental tales as well as charting the influence of Christianity on legends and on Pagan religion. The first three volumes contain Grimm's account of the myths and legends, while the fourth contains supplementary material and three appendices. This is an invaluable resource for scholars of mythology, religion and German cultural h

Jacob Grimm (1785–1863) became a household name around the world through the collections of fairy tales he compiled with his brother Wilhelm. Jacob's specialism was the history of the German language, which he studied in the broader context of Indo-European philology. Others working in this burgeoning field included the older scholar Rasmus Rask and Grimm's contemporary Franz Bopp (also published in this series). Grimm's two-volume Geschichte der deutschen Sprache, reissued here, was first published in 1848. It is noteworthy especially for the chapter on the major sound shift now known as Grimm's Law or die erste deutsche Lautverschiebung, which sets out regular mappings between Germanic consonants and those found in earlier Indo-European languages, such as English father and Latin pater. The book also contains a wealth of comparative material on phonology, vocabulary and grammar within Germanic and across the Indo-European spectrum.

Jacob Grimm (1785–1863) became a household name around the world through the collections of fairy tales he compiled with his brother Wilhelm. Jacob's specialism was the history of the German language, which he studied in the broader context of Indo-European philology. Others working in this burgeoning field included the older scholar Rasmus Rask and Grimm's contemporary Franz Bopp (also published in this series). Grimm's two-volume Geschichte der deutschen Sprache, reissued here, was first published in 1848. It is noteworthy especially for the chapter on the major sound shift now known as Grimm's Law or die erste deutsche Lautverschiebung, which sets out regular mappings between Germanic consonants and those found in earlier Indo-European languages, such as English father and Latin pater. The book also contains a wealth of comparative material on phonology, vocabulary and grammar within Germanic and across the Indo-European spectrum.

Jacob Grimm (1785–1863) became a household name around the world through the collections of fairy tales he compiled with his brother Wilhelm. Jacob's specialism was the history of the German language, which he studied in the broader context of Indo-European philology. Others working in this burgeoning field included the older scholar Rasmus Rask and Grimm's contemporary Franz Bopp (also published in this series). Grimm's two-volume Geschichte der deutschen Sprache, reissued here, was first published in 1848. It is noteworthy especially for the chapter on the major sound shift now known as Grimm's Law or die erste deutsche Lautverschiebung, which sets out regular mappings between Germanic consonants and those found in earlier Indo-European languages, such as English father and Latin pater. The book also contains a wealth of comparative material on phonology, vocabulary and grammar within Germanic and across the Indo-European spectrum.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is a

All children know that the immortal words "Once upon a time . . ." mean a fairy tale is about to begin. And what better tale could you choose to tell than one by the Brothers Grimm? In this collection of their best stories, we are transported to a world of beautiful princesses, warty witches, wicked stepmothers and ugly sisters - with the occasional musical rat-catcher, hungry wolf and handsome prince thrown in for good measure!