Java 5.0 Tiger: A Developer's Notebook (Java 5

The follow up to James Smith's international number one bestseller, Not a Diet Book. * Do you love your job?* Does your future excite you?* Are your relationships working for you

The follow up to James Smith's international number one bestseller, Not a Diet Book. * Do you love your job?* Does your future excite you?* Are your relationships working for you

*The No.1 Sunday Times Bestseller Are you ready to change your life? Are you sick of always wearing black and getting undressed in the dark? Are you fixated with a number on the scales? Are you afraid

Are you ready to change your life?Are you sick of always wearing black and getting undressed in the dark?Are you fixated with a number on the scales?Are you afraid to step into the gym and commit to a

The late James Smith was a polymath scholar and critic, known to a large circle of readers for one or two critical articles of great weight and acuteness. As a busy professor in the University of Fribourg, he published very little more, but was working all his life on two uncompleted books, one on Shakespeare, one on the tradition of English literature. At his death, a good deal was in draft. Originally published in 1974, this volume, edited by Professor E. M. Wilson, presents a coherent body of essays on Shakespeare's comedies, and adds at the end five of the essays for which Smith was already well known. This is more than a literary memorial to a highly self-critical scholar who published little. It is a body of studies which was welcomed and prized by those familiar with Smith's name. New readers meanwhile will find in this principal critical work the expression of a vigorous and sensitive critical mind.

The 1930s is frequently seen as a unique moment in British literary history, a decade where writing was shaped by an intense series of political events, aesthetic debates, and emerging literary networks. Yet what is contained under the rubric of 1930s writing has been the subject of competing claims, and therefore this Companion offers the reader an incisive survey covering the decade's literature and its status in critical debates. Across the chapters, sustained attention is given to writers of growing scholarly interest, to pivotal authors of the period, such as Auden, Orwell, and Woolf, to the development of key literary forms and themes, and to the relationship between this literature and the decade's pressing social and political contexts. Through this, the reader will gain new insight into 1930s literary history, and an understanding of many of the critical debates that have marked the study of this unique literary era.

The 1930s is frequently seen as a unique moment in British literary history, a decade where writing was shaped by an intense series of political events, aesthetic debates, and emerging literary networks. Yet what is contained under the rubric of 1930s writing has been the subject of competing claims, and therefore this Companion offers the reader an incisive survey covering the decade's literature and its status in critical debates. Across the chapters, sustained attention is given to writers of growing scholarly interest, to pivotal authors of the period, such as Auden, Orwell, and Woolf, to the development of key literary forms and themes, and to the relationship between this literature and the decade's pressing social and political contexts. Through this, the reader will gain new insight into 1930s literary history, and an understanding of many of the critical debates that have marked the study of this unique literary era.

Biofuels and the Globalization of Risk offers a fresh, compelling analysis of the politics and policies behind the biofuels story, with its technological optimism and often-idealized promises for the

Biofuels and the Globalization of Risk offers a fresh, compelling analysis of the politics and policies behind the biofuels story, with its technological optimism and often-idealized promises for the

Do you know your porters from your pales and your stouts from your saisons? Are you a home-brewing legend or a draught devotee? Or do you think dubbels and tripels are just spelling mistakes? Regardle