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A Set of Six (1908) is one of Conrad's most versatile and varied compositions, embracing diverse interests and settings, multiple tonal qualities and a medley of short-story forms (ranging from the novella in 'The Duel' to the anecdotal tale in 'The Informer'). The volume's wide-ranging introduction offers a careful evaluation of the origins and sources of the individual stories, while also measuring their early reception as a published collection. Explanatory notes clarify literary and historical references, identify real-life places and people, and indicate borrowings and Gallicisms. The lengthy textual essay and its accompanying apparatus lay out the history of composition and publication, detailing interventions made by Conrad's typists, compositors and editors. Also included are appendices, allowing the reader first-hand access to Conrad's source material; glossaries of nautical and foreign terms; and illustrations in the form of maps and reproductions of early drafts. By returnin

Set in the South of France during the waning days of the French Revolution and the early years of Napoleonic rule, The Rover (1923) is the last novel that Conrad completed in his lifetime. A popular success on its publication, it explores, against the backdrop of dramatic political change and the Anglo-French hostilities leading up to the Battle of Trafalgar, the themes of personal and national identity, loyalty and love. The 'Introduction' situates the novel in Conrad's career and traces its sources and contemporary reception. Explanatory notes illuminate literary and historical references and indicate Conrad's sources. The essay on the text and the apparatus lay out the history of the work's composition and publication, detail the interventions in the text by Conrad's typists, compositors and editors and explain editorial policy. This edition of The Rover, established through modern textual scholarship, presents the novel in a form more authoritative than any so far printed.

Charting a homeward-bound voyage from Bombay to London aboard a sailing ship, The Nigger of the 'Narcissus' (1897) captured the late-Victorian era's maritime obsession and identified the strikingly original talent of Joseph Conrad (1857–1924) as a sea writer in what has proved to be a landmark of sea literature. The Introduction situates the novel in Conrad's career and traces its origins and reception. Explanatory notes illuminate literary and historical references, identify real-life places and indicate Conrad's sources and influences. The essay on the text and the apparatus lay out the history of the work's composition and publication, and detail interventions by Conrad's typists, compositors and editors. Also included are notes explaining literary and historical references, a glossary of nautical terms, illustrations, including maps and pictures of early drafts, and appendixes. This edition of The Nigger of the 'Narcissus' presents the novel and its preface in forms more authoritat

An Outcast of the Islands (1896), Conrad's second novel, returns to the Malay world of Almayer's Folly (1895). Focusing on the collapse of Western values and morals in a colonial setting, the novel daringly portrays the power of erotic attraction and exposes the venal ambitions behind small- and large-scale political intrigues. The introduction situates the novel in Conrad's career as a writer and traces its origins and reception. The essay on the text and the apparatus explain the history of the work's composition and publication, and detail the interventions of Conrad's compositors and editors. There are notes explaining literary and historical references, a glossary of nautical terms, illustrations including pictures of early drafts, and appendixes. This edition presents the novel and its preface in forms more authoritative than any so far printed, and restores a text that has circulated in defective forms since its original publication.

Published in 1915, Victory: An Island Tale holds a special place in Conrad's later writings as a bold experiment in genre. The novel variously draws upon realism, allegory and melodrama to explore large themes: commitment and solidarity, the individual's relationship to society and the power of love. The Introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The essay on the text and the apparatus lay out the history of the work's composition and publication, and detail the extensive interventions by Conrad's typists, compositors and editors. Also included are notes explaining literary and historical references, a glossary of nautical terms, illustrations including pictures of early drafts, and appendixes. Established through modern textual scholarship, this edition of Victory presents the novel in a form more authoritative than any so far printed, and restores a text that has circulated in highly defective forms since its original publica

Within the Tides (1915) was the last volume of short stories published during Conrad's lifetime. In this book, the stories are published for the first time in a critical edition based upon a thorough analysis of the original documents, and the critical texts have been emended so as to include Conrad's later revisions. The introduction discusses Conrad's main sources and influences, places the stories in their contemporary contexts and traces the volume's contemporary reception. The essay on the texts and the 'Apparatus' document the history of composition and publication and detail the revisions that the texts underwent, demonstrating as well how editors and compositors shaped their presentation in serial form. Also included are explanatory notes glossing literary and historical allusions. Two glossaries – of nautical terms and of foreign words and phrases – further enrich the explanatory matter, as do a map and six illustrations.

The five stories brought together in Tales of Unrest (1898) mark a turning point in the writer's career. Conrad's first short story collection evidences a writer firmly in control of his new craft staking a claim to diverse cultural and fictional territories. The introduction situates the writing of these stories in Conrad's career and discusses their sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places, and indicate influences. Two maps and six illustrations enrich the explanatory matter. The essay on the text lays out the history of the work's composition and publication, details interventions by Conrad's typists, compositors and editors, and explains editorial policy. This edition, established through modern textual scholarship, presents Conrad's stories and his preface to the collection in forms more authoritative than any so far printed.

Since its first appearance in Blackwood's Edinburgh Magazine in 1899 and 1900, Lord Jim (1900) has been acclaimed as a modernist masterwork. Its narrative innovations and psychological complexity make it one of the most influential fictions written in the twentieth century and it has challenged and stimulated generations of readers as well as writers on and of fiction. This edition, established through modern textual scholarship, presents Conrad's novel and its preface in a form more authoritative than any so far printed. The Introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes identify literary and historical references and real-life places and indicate Conrad's main influences. Glossaries, maps and illustrations are provided for further context, as well as a new transcription of 'Tuan Jim: A Sketch', a partial draft of the novel, and appearing in print for the first time, Conrad's contract for the book.

Published posthumously in 1925, Suspense is set in Genoa in early 1815. This edition of Conrad's last novel, established through modern textual scholarship, presents the text in a form more authoritative than any so far printed. The introduction situates the novel in Conrad's career and traces its sources and contemporary reception. The explanatory notes explain literary and historical references, identify real-life places and indicate Conrad's main research materials. A glossary of foreign words and phrases enriches the explanatory matter, as do four illustrations and a map. A notebook of Conrad's research for the novel and deleted drafts are published here for the first time. The essay on the text and apparatus lay out the history of the work's composition and publication and detail interventions in the text by Richard Curle, who, as Conrad's de facto literary executor, saw the novel into print, along with typists, compositors and editors.

Serialized in Ford Madox Ford's English Review in 1908–9, A Personal Record (1912) both documents and fictionalizes Conrad's early life and the opening stages of his careers as a writer and as a seaman. It is also an artistic and political manifesto. This volume provides the most accurate and scholarly edition available. Mistakes introduced by typists and earlier publishers have been corrected to present the text as Conrad intended it. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.

New texts of Joseph Conrad's modern classic 'The Secret Sharer' and of two other tales appear in this edition of 'Twixt Land and Sea with numerous words, sentences, and entire paragraphs restored from Conrad's manuscripts and typescripts. Written while he was working on Under Western Eyes, these stories, when collected together in 1912, marked the turning point in Conrad's professional fortunes that Chance would soon confirm. Published for the first time as Conrad meant them to be, these authoritative texts are accompanied by a new Introduction that discusses their sources, composition, and publication, and their reception up to our time. The Notes explain nautical, geographical, and historical references and are supplemented by diagrams, maps, and other illustrations. A textual essay and apparatus examine the revisions, excisions, divisions, and censorship the tales underwent, which till now have been reflected in editions unduly trusted by countless readers.

This volume offers scholars the first authoritative text of two works produced collaboratively by two of the most important modern British novelists. Long hard to obtain and frequently neglected by critics, each can now be appreciated both in its own right and as part of the two authors' individual oeuvres. This scholarly edition situates both works in the context of the writers' meeting and ongoing collaboration, providing illuminating literary and historical references and detailing the works' composition history and reception in the UK and America. As well as establishing definitive texts of both works and of the authors' prefaces written for the 1924 republication of The Nature of a Crime, this edition also includes Ford's own 1924 account of his collaboration with Conrad on The Inheritors, as well as the text of Ford's 'The Old Story', a hitherto unpublished early draft of the basic plot of The Nature of a Crime.

'I asked myself what I was doing there, with a sensation of panic in my heart as though I had blundered into a place of cruel and absurd mysteries not fit for a human being to behold'. Charles Marlow's dark intuition here arrives at the culmination of his physical and psychological quest in search of the infamous ivory-trader Kurtz in Joseph Conrad's most famous short story, Heart of Darkness. Ambiguously drawn to the powerful 'voice' of this autocratic European who has become a self-proclaimed ruler in an African colony, Marlow is increasingly embroiled in Kurtz's life and death: he is finally forced into a radical questioning, not only of his own assumptions, but also of the civilized and imperial pretensions of Western Europe. Offering a freshly-researched text based on the writer's original documents, this edition presents a classic of early modernist fiction in a version that, for the first time, recovers Conrad's preferred wordings, punctuation and narrative structure.

Joseph Conrad's short novel The Shadow-Line: A Confession (1917) is one of the key works of early twentieth-century fiction. This edition, established through modern textual scholarship, and published as part of the Cambridge Edition of the Works of Joseph Conrad, presents Conrad's only major work written during the First World War and its 1920 preface in forms more authoritative than any so far printed. Correspondence reveals that the part- and chapter-divisions present in the historical editions lack authorial sanction, and this edition of The Shadow-Line offers a continuous text for the first time, restoring to the narrative a fluency and dramatic intensity not hitherto found in any printing. An Introduction and Explanatory Notes, as well as maps and illustrations, enrich this volume. The Appendices publish materials relevant to Conrad's maritime career and to the publishing of the American serial, and the Apparatus allows the reader to follow the creative process.

Bringing together work composed from 1890 to 1924, the nineteen pieces collected in the posthumously published Last Essays (1926) serve as a primer to Conrad's wide interests and to the varieties of his style. This edition, supported by an extensive textual apparatus, brings together various prose pieces, including reminiscences, reviews, essays on the sea and politics, as well as several miscellaneous items, including his 'Congo Diary' and the other notebook he kept in Africa in 1890. The introduction situates these writings in Conrad's career, offers new perspectives on Conrad in the marketplace and as a writer of occasional prose and traces the contemporary reception of the volume. The notes explain literary and historical references, identify real-life places and indicate Conrad's main sources. Early drafts and notes for several essays are published here for the first time, making this authoritative critical edition a major contribution to Conrad studies.

'Youth', Heart of Darkness and 'The End of the Tether' make up Conrad's most celebrated collection of short narratives. Heart of Darkness forms its sombre centrepiece: set in the Congo of the 1890s, this haunting and widely influential Modernist masterpiece explores the limits of human experience as well as the nightmarish realities and consequences of imperialism. The Cambridge edition presents this trio of stories and Conrad's preface to the collection in forms more authoritative than any so far published. The introduction situates the stories in Conrad's publishing career, traces their sources and surveys contemporary reception. The edition includes detailed explanatory and contextual notes, a glossary of nautical terms, maps and illustrations. A textual essay and comprehensive apparatus reveal the history of each story's composition, revision and publication. This volume will allow scholars to see these familiar stories in a fresh light, by returning to Conrad's original texts.

This landmark nine-volume set offers the complete letters of Joseph Conrad in the highly acclaimed authorised Cambridge edition. Starting with his earliest letters to his imprisoned father and following through his adult careers at sea and as a writer, and his experiences as lover, husband, friend, and parent, these volumes allow scholars to read Conrad's life in his own words. The first eight volumes present over four thousand letters in chronological order. The final volume includes, as well as a cumulative index to the edition, more than two hundred newly available letters, adding fresh nuances and complexities to the remarkable story of his life and work. In each volume, extensive explanatory notes and invaluable introductions illuminate the context of his work and times. This edition has become a standard reference work for all scholars and students of Conrad, and will retain its importance for generations to come.

The last volume in The Collected Letters of Joseph Conrad presents over two hundred new letters written between 1892 and 1923. Some are to correspondents who have not previously appeared in the collected letters; others are to family members, friends, and colleagues familiar from earlier volumes. Many of the letters in both categories are substantial enough to justify a recharting of Conrad's work, his friendships, his experiences, and his opinions on such subjects as opera, marriage, editorial tampering, the reading public, British foreign policy, the consolations and the penalties of faith, the Dutch Empire, translating Maupassant, the power of oratory, the revolutions of 1917, and the deficiencies of Ibsen's Ghosts. This volume holds enough surprises to suggest that there can never be a final word on Conrad and includes indexes and further apparatus for the whole series.

Volume Eight of Conrad's collected letters covers the last nineteen months of his life (1923-24). Much of this correspondence is unpublished; its editors have had access to the major private collections as well as holdings in public and academic libraries. The letters themselves are accompanied by notes on contexts, allusions, and editorial problems, and prefaced with a general introduction and biographies of the correspondents. Letters to his family written during his visit to the United States are a notable feature of this collection, which is also rich in comments on literary questions, current events, his experiences at sea, the reception of The Rover, and work on his unfinished novel, Suspense.

The twenty-six essays collected in Notes on Life and Letters (first published 1921) offer a kaleidoscopic view of Joseph Conrad's literary views and interest in the events of his day, including the Titanic disaster, First World War, and the re-emergence of his native Poland as a nation state. The introduction gives the history of the gathering of these diverse pieces into a single volume, traces the book's reception, and offers new perspectives on its relationship to Conrad's other writings. His essays underwent multiple layers of unauthorized intervention by typists, compositors and editors: this history is set out in the essay on the text and in the apparatus. The notes explain literary and historical references, identify places mentioned, and gloss foreign terms. Two maps supplement the explanatory material. This edition, first published in 2004 and established through modern textual scholarship, presents Conrad's essays and reviews in an authoritative form.